Download Antipol Fonts by phospho

Download Antipol Fonts by phospho
Download Antipol Fonts by phospho Download Antipol Fonts by phospho Download Antipol Fonts by phospho



Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif.

With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive.

Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners.

This particular weight is meant for display settings, think full-page magazine titles or posters.

More Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity.

Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.



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Download Squalo Fonts by Letritas

Download Squalo Fonts by Letritas
Download Squalo Fonts by Letritas Download Squalo Fonts by Letritas Download Squalo Fonts by Letritas



Squalo, the genesis The idea of this project called Squalo popped into my mind while I was working with excitement on some sketches.

I was chasing after a strong typographical character, something that for me has to be crystallized in form which is always legible and functional.

The concept More The concept of Squalo arises from the observation of an athletes body: you notice that even if most are lean, they are also strong, cut and chiselled.

The sport they play molds and modify their bodies. Just think, for instance, on a professional swimmer: during the competition every single muscle, tendon, tissue, cell is working to swim faster.

Every single part is there to give strength and speed like in a squalo (shark in italian).

Not as an eel, nor as a mermaid, nor as a hake. Just like a shark. If you take a quick look, you will notice that the width of the typeface is slightly more condensed than that of a standard sans serif.

We designed Squalo this way specifically to assist and strengthen your concepts through stylized typography.

We designed the joins and terminals (tip ends) of the characters A, V, W, Z, v, w, z, to create a feeling of tension, reinforcing the concept of shark, danger, caution, as well explicit, intentional movement.

Pure strength. We wanted to recall the exact moment of the start of the 100 meters race: when the sprinter initially spreads all of his powerful energy.

The italic version, starting with the former two typographical concepts of width and tension, emphasizes them.

First of all, we compressed the characters 10 percent more, and slanted it 10 degrees to the right.

With this movement I intended to convey the gorgeous feeling of tension in power and rapidity.

The typeface has 9 weights, from hair to black, and two versions, regular and italic.

All 18 fonts include small caps, unicase, tabular and oldstyle numbers, numerators and denominators, and much more.

Squalo is an ideal typeface that I recommend for use in marketing campaigns, design of packaging, magazines, branding for tv programs, films, book texts, editorial, publications, logos, corporate projects, web texts, and graphic design in motion.

Squalo supports the following languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwichin, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotck (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Mori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni


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Download Dreadful Fonts by Aiyari

Download Dreadful Fonts by Aiyari
Download Dreadful Fonts by Aiyari Download Dreadful Fonts by Aiyari Download Dreadful Fonts by Aiyari



Introducing a new layered typeface called Dreadful. Inspired from classic horror movie and vintage comic. Dreadful typeface best uses for headings, Logo type, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc.



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Download La Bodeguita Fonts by Resistenza

Download La Bodeguita Fonts by Resistenza
Download La Bodeguita Fonts by Resistenza Download La Bodeguita Fonts by Resistenza Download La Bodeguita Fonts by Resistenza



La Bodeguita is a new calligraphic font carefully designed with walnut ink and a Spencerian feather on an oblique penholder.

Bodega means wine cellar, Bodeguita small "wine cellar"_ This font contains 2 styles, La Bodeguita Regular & La bodeguita Slanted + one Swashes and ornament.

More than 400 glyphs We recommend to use La Bodeguita for Labels design, notes, cards, wedding cards etc.



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Download Karlie Fonts by DearType

Download Karlie Fonts by DearType
Download Karlie Fonts by DearType Download Karlie Fonts by DearType Download Karlie Fonts by DearType



Karlie is a neat combination of a friendly script and a modern all-caps serif in five widths.

The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages.

The combination of two different font styles (script and serif) also performs very well on product packaging.

As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter.

We've also included some extras with ready-made words and symbols for more design freedom.

More The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the familys charm.

The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.



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