Showing posts with label text. Show all posts
Showing posts with label text. Show all posts
Download Certa Serif Fonts by Glen Jan
July 15, 2018
antique
,
book
,
calligraphic
,
calligraphy
,
cyrillic
,
dinamic
,
display
,
download certa serif fonts by glen jan
,
fountain pen
,
glen jan
,
serif
,
text
Download Certa Serif Fonts by Glen Jan
July 01, 2018
antique
,
book
,
calligraphic
,
calligraphy
,
cyrillic
,
dinamic
,
display
,
fountain pen
,
glen jan
,
serif
,
text
Download Tara Fonts by Indian Type Foundry
May 22, 2018
alternates
,
beautiful
,
books
,
calligraphic
,
calligraphy
,
classic
,
functional
,
indian type foundry
,
large x-height
,
serif
,
text
Tara is a family of serif fonts designed for immersive reading. Its design considers a tall x-height, balanced with high contrast letter-forms and wedge-shaped serifs that propose an elegant character functional at reading sizes.
The axis of stress running through the letters is almost vertical; however, Tara is inspired by oldstyle typefaces, characterized by their use of diagonal axes.
The family includes four weights that range from Regular through Bold with matching italics.
Many of Taras lowercase letters retain calligraphic traces in their details, such as the terminal on the upright lowercase a and the ear of the g.
The italics contain a few dozen swash alternates, for use in headlines, titles as well as logo designs.
All of the fonts include small caps, 14 f-ligatures, and case-sensitive punctuation.
The default numeral style is set at proportional oldstyle figures with tabular and lining figures available as OpenType alternates.
A full-range of numerators and denominators for fraction-typesetting has been included for its compatibility with a widespread range of contents.
With letter-forms quite comfortable to read, Taras language support covers an extended Latin character-set and is an excellent choice for editorial projects across print media.
Tara was designed by Tania Alvarez Zaldivar, a type and graphic designer from Mexico, and a graduate of the Type & Media program at the Royal Academy of Arts (KABK) in The Hague.
The axis of stress running through the letters is almost vertical; however, Tara is inspired by oldstyle typefaces, characterized by their use of diagonal axes.
The family includes four weights that range from Regular through Bold with matching italics.
Many of Taras lowercase letters retain calligraphic traces in their details, such as the terminal on the upright lowercase a and the ear of the g.
The italics contain a few dozen swash alternates, for use in headlines, titles as well as logo designs.
All of the fonts include small caps, 14 f-ligatures, and case-sensitive punctuation.
The default numeral style is set at proportional oldstyle figures with tabular and lining figures available as OpenType alternates.
A full-range of numerators and denominators for fraction-typesetting has been included for its compatibility with a widespread range of contents.
With letter-forms quite comfortable to read, Taras language support covers an extended Latin character-set and is an excellent choice for editorial projects across print media.
Tara was designed by Tania Alvarez Zaldivar, a type and graphic designer from Mexico, and a graduate of the Type & Media program at the Royal Academy of Arts (KABK) in The Hague.
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