Stella Tyas

Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude.

The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use.

Lighter weights provide great legibility at small sizes while the regular and bold weights are more suited to titling, logo and headlines.

More It was designed in 2006 by Francesco Canovaro in two weights (regular and extralight) and later used by Cosimo Lorenzo Pancini as base inspiration for the design of the successful Zetafonts' Cocogoose Pro typeface.

In 2018 the family was completely redesigned by Andrea Tartarelli, expanding the original glyph set to include cyrillic and greek and adding three extra weights and italics.

The restored and revamped version, named Sugo Pro Classic, also includes full Open Type features for positional figures, Alternates and Small Caps, and restores alternate glyph shapes created by Canovaro for the original Sugo, accessible as Stylistic Alternates.

A companion typeface, Sugo Pro Display, uses these alternates as base glyphs and provides a tighter kerning, ideal for display use and logo design.

Liquidambar is actually a beautiful tree, native to America. I have one in my garden and I love its autumn colors! Liquid Amber is something else: it is a handmade all caps font that comes with oodles of diacritics, some swashes and some alternate glyphs.

Enjoy!

DoubleBass is a jazzy four-weights display family inspired by the film title design of Saul Bass.

The font provides an out-of-the-box tool for cartoon modern style logo and heading design.

The alternating sets of capital letters and numbers make sure that a bouncy rhythm is kept - by virtue of open type ligature substitution - while you type away.

Lighter weights can work for small blocks of text, while the regular and heavy weights show their best in big sizes and display uses.

Foreign languages using latin alphabet are covered, as well as Russian cyrillic.

Useful links: TT Smalls PDF Type Specimen TT Smalls graphic presentation at Behance TT Smalls is a geometric sans serif created for use in video clips and for video production.

The main feature of the font family is the big difference between the uppercase and lowercase characters, in which we intentionally diminish the x-height.

At the same time, in order for signs to be readable and balanced, the font uses pronounced visual compensators and a large letter spacing.

More In the typeface there is a decorative set of alternative characters that covers the uppercase Latin alphabet, uppercase Cyrillic alphabet, and standard figures.

As the thickness of the strokes decreases, the number of layer lines in the design of the letter decreases.

For example, in the Black weight, the design in an alternative decorative set consists of 4 layers-lines, and in Thin already only of one line.

In order to simplify the access to this special set, we have programmed it for the SMCP (small caps) feature.

You just need to turn it on. Especially for video production we have prepared a set of particular catchwords that are included in each font, and whose height corresponds to the x-height of the lowercase sign.

For catchwords output, you need to type a special combination of characters. For example, to get the AKA catchword, you need to type one of the following combinations: a+k+a, or A+K+A, or a_k_a, or A_K_A.

Using any of these combinations will make the catchword appear. It is important to note that for successful use of catchwords, the feature calt (contextual alternates) must be permanently turned on.

The TT Smalls font family consists of 18 fonts: 9 weights and 9 italics.

The family has a set of stylistic alternatives, which make the typeface a bit more humanist when turned on.

TT Smalls features 16 ligatures, including several Cyrillic, old-style figures, a set of navigational arrows.

In addition, TT Smalls supports a large number of other useful OpenType features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, calt, frac.

Just like Grandmas recipe, Recoleta combines a variety of ingredientsfrom various popular 1970s typefacessuch as the soft and gentle shapes found in Cooper or fluid, angled strokes in Windsor mixed into one single design that features familiar yet fresh, modern flavors.

Its variety of weights provides a range of choices that will help you find the best typographic color for your project.

Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines.

The available stylistic alternates offer a number of different characters that give your logo or business card a unique look.

Heading Pro Wide and Heading Pro Ultra-Wide are two variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts.

These two extended width families have been added to the original condensed width family to be used for titling where style and raw energy matter more than pixel or paper economy.

Still keeping the original design of Heading, with a (post) modernist attention to readability and detail, the wide sizes allow you to write strong headlines and play with sub-headings and short text blocks.

Matching italics can provide you with versatility in text use as well as a viable display alternate for bolder weights, with a strong sport/energy feel.

More Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using Latin, Cyrillic and Greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

The full Heading Pro Super Family includes Heading Pro Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 fonts built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.

Useful links: TT Phobos PDF Type Specimen TT Phobos graphic presentation at Behance TT Phobos is a pliable display serif with a soft and gentle character.

The features of the typeface are the moderate contrast between bold and thin strokes, pliable visual compensators, and the counter-clockwise bend of internal ovals.

In addition to 6 weights and 6 italic, TT Phobos also includes two original decorative fonts, inline and stencil.

More Despite its pliability and display character, TT Phobos is dynamic enough and is well suited for text arrays even in large text blocks.

The serifs of letters are completely asymmetrical and bring in dynamics when reading the text from left to right.

Thanks to the harmonious contrast of black and white forms and internal negative spaces of the letters, as well as its broad letter spacing, the typeface is well read in small sizes.

In this case, the character of the letters is completely preserved, partially thanks to the exaggerated elegant visual compensators.

The ornamental pattern used in TT Phobos Inline varies for capital and lowercase letters.

Capital letters implement a more complex double inline with a rhombic element in the middle, and in the lower case features a simplified form of the inline, made in a single movement.

Thanks to the original cutting, TT Phobos Stencil stands out for its expression, and the rounded cuts add even more visual style to the font.

TT Phobos consists of 14 faces: 6 weights (Light, Regular, DemiBold, Bold, ExtraBold, Black), 6 Italics, inline and stencil.

There are 17 ligatures in TT Phobos, including several Cyrillic ones. The typeface has stylistic alternates, which adds an italic effect to the upright fonts, and a little solemnity of the upright version to the italics.

In addition, we have not forgotten about the old-style figures and other useful OpenType features, such as ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac, case.

Download Codec Cheat Sheets Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli.

Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm.

In Codec Cold terminals are always cut parallel or perpendicular to the baseline, emphasizing geometry and giving the typeface a more constructed look.

In Codec Warm, on the contrary, open diagonal cuts and two-storey letterforms give the typeface a slightly more humanist look and a gentler, warmer text feeling.

More Both Codec Cold and Codec Warm come with a wide range of glyphs for language coverage, including cyrillic and greek alphabets, and of open type features, including small caps, positional numerals and swash forms.

Codec typefaces also include over a hundred variant ligature and alternate glyphs.

These glyphs, usually available as discretionary ligatures, have been made permanently active in the two Codec Logo subfamilies, designed for display use and logo design, and thus available with a bolder weight range and tighter metrics.

Codec Logo Cold makes the cold geometry alive with funky ligatures, while Codec Logo Warm randomly stretches characters: both allow for quick, unexpected solutions in logo design and display type treatment.

Mackay is a powerful transitional serif in 6 weights plus matching italics, designed for screen and print.

The eccentric serifs on uppercase letters like E, F, L and T are inspired by Alexander Kays Ronaldson from 1884, working as the starting point for the family.

The lowercase letters follow the traditional Antiqua model with attributes tracing back to drawings from the early 20th century.

The grotesk lowercase a, as well as the sharp lowercase s, derived from the closed shapes of uppercase letters like C, G or S, create a compact and bold appearance while a large x-height and small descenders add a modern look.

More In favor of a dynamic and elegant impression, the design of the italic cuts come with a strong calligraphic influence.

This results in completely new shapes for letters like lowercase a or g, ensuring a smooth integration into their surrounding letters while maintaining a distinctive appearance when combining with romans.

The family comes with a variety of opentype features like case sensitive shapes, old style figures, fractions, ordinals and many more.

Additional attention was given to the standard and discretionary ligatures, extending the structure of the basic glyphs with elegantly designed letter combinations for g/i, i/t or s/t.

According to their dynamic architecture, the italic weights are equipped with additional initial swash characters to subtle accentuate the calligraphic roots.

As a result of a high stroke contrast the family works great in paragraphs with medium to large font sizes like headlines, short paragraphs or logos.

With its 12 cuts, the family meets all requirements on high quality typography.

Useful links: TT Severs PDF Type Specimen TT Severs graphic presentation at Behance TT Severs is a geometric grotesque with emphasized elements of internal brackets.

A distinctive feature of TT Severs is the unusual form of internal ovals, which refers us to the style of traditional Arabic writing.

TT Severs has a strong character and is great for use in high tech (IT), the web, in robotics, computer games, and sports.

More TT Severs is a 2-in-1 font family. In a large body size, it works great as a display font, creating a distinctive character for logos and headings.

At the same time, when TT Severs is used in a small body size or in large text arrays, the fonts peculiarities of bracket construction fade, and it perfectly functions as a text font, thanks to both the low contrast between vertical and horizontal strokes and the detailed logic of interaction of black and white letter elements.

The font family TT Severs includes 18 fonts, each of which consists of 558 glyphs.

The family has standard and discrete ligatures, which include experimental ligatures for the Cyrillic alphabet.

In addition, TT Severs can be made a little more humanistit is enough to turn on stylistic alternates, and due to them the font takes the form of a humanist grotesque, which refers us to traditional broad nib writing.

As part of the font family, you will also find old-style figures and a large number of OT features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac.

Heading Pro Medium, Heading Pro Double and Heading Pro Treble are three variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts.

These three medium width families have been added to the original condensed width family to be used in any case where you have to complement the space optimizing qualities of Heading Pro with some standard-proportioned text.

More The range of widths of the Heading Medium collection extends into the Double and Treble widths, each coming in an ample range of weights with matching italics and a wide array of open type features that allow you to design text blocks with a fine grain control on appearance.

Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using Latin, Cyrillic and Greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

The full Heading Pro Super Family includes Heading Pro Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 fonts built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.

HEADING PRO ULTRA COMPRESSED is a variant of the original HEADING PRO typeface designed by Francesco Canovaro for Zetafonts.

Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using latin, cyrillic and greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

More The full Heading Pro Super Family includes, Heading Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 FONTS built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.