Stella Tyas

Obvia, a geohumanist type for all media. Obvia appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes - to be published soon - expanding its usability.

The idea behind Obvias design was to create a distancing from geometrically pure shapes, in this case, square shapes.

Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a geohumanist tone to the font.

More This first family of Obvia has 9 weights ranging from Thin to Black with their respective italics, delivering a strong typographic identity, from the paper to the pixel.

Shirataki is a soft pen script with clear round letter shapes and large display capitals. Shirataki has really low contrast -its almost monolinear. Shirataki is a clear and friendly display script ideal for logo, signature, packaging, poster or headline purposes.

Shirataki uses Contextual Alternates to keep the connections smooth and it has Swash alternates for every standard letter.

Theres even more alternates in glyph palette. Theres also a set of swash endings coded in Titling Alternates and set in lowercase letters.

In addition theres a selection of strokes set in uppercase A-H. More Shirataki is PUA encoded so you can access extras in most graphic design softwares even without OpenType support.

In case you were wondering Shirataki are Japanese yam noodles. Enjoy!

Neptune is a large family of geometric sans serif fonts. Its designer Gaetan Baehr has created 12 styles: six different weights, ranging from Extralight to Extrabold.

Each has an upright and an oblique font on offer. Letters in all of Neptunes weights are drawn with virtually mono-linear strokes. Its lowercase letters have a tall x-height, but still leave enough room for the fonts diacritical marks.

These are actually quite large; theyll always be noticed, even in small sizes.

Neptunes a and g both have single-storey forms. The dots on the i, j, and diacritics are round, as are the punctuation marks, too. Despite being a geometric sans, Neptune features letters that break away somewhat from what previous fonts in that style have offered.

The Qs tail has been simplified into a short, vertical stroke. The strokes on both the S and the s terminate in vertical cuts, instead of having horizontal or diagonal terminals.

The lowercase k and t each have traits that come from our alphabets handwritten origins.

These details give text set in Neptune a different feeling from other geometric sans serifs.

Neptune is an excellent choice for both corporate design and editorial design projects, both because of its range of weights as well as its legibility in text.

Nominee is a cinematic font family made up of 11 weights, 3 widths, and matching italics, that equates to a substantial 66 font styles that feel individually crafted but also part of a larger structured system.

The versatile font styles range from an elegant Hairline to a dominant Heavy, Condensed to Extended, which creates such an extensive range of uses and applications, from web and apps to editorial and branding, and everything in between.

The increased x-height gives the font more readability at smaller sizes and the contemporary shapes mean the font likes to be shown off at large sizes.

More The font features details such as case sensitive characters, numerators and denominators, and support for Central and Eastern European along with Western European languages and Basic Cyrillic.

Bunday Clean is a minimalist and friendly font family with different moods. It drops everything unnecessary like spurs and ears and appears crisp and contemporary with a slightly squarish touch.

Like the other members of the superfamily (Bunday Sans and Bunday Slab), Bunday Clean provides uprights, a second set of styles with characters that reference handwritten cursive.

These curvy styles give words a distinct look and are especially attractive for use in display applications and logotype design.

More Bunday Clean is space-saving and creates a homogenous text color with good legibility.

The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media.

It ships with 9 standard, 9 upright, and the corresponding italic styles from a considerably thin hairline to a quite thick heavy.

It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localized forms, and much more.

Feature Summary*: -4 Moods: Normal, Upright, Italic and Upright Italic -9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy -Supports at least 99 Languages incl.

eastern european -Overall width: Narrow or Space-Saving -Advanced f- ligature set including fb -Discretionary s- and c- ligatures -Alternative Characters: a, e, f, g, l, t, y, A, E, F, L, and more -Capital German Eszett -Extra characters with Polish Kreska -Catalan Punt Volat -More than 570 characters per font * Some features may only be available in OpenType®-savvy applications Please, take a look at the other Bunday superfamily members: Bunday Sans Bunday Slab

Altissimo is a display type family, derived from the Ample typeface, it has large x-height, optical mono linear and a bit squarish in nature.

It has a smooth curve instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design.

It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasise the message.

It is graphically strong and commands viewers attention. The overall appearance of this type is suitable in setting it as heading, title, headline, etc.

The type family consists of seven weights viz. Thin, ExLight, Light, Regular, Medium, Bold and ExBold. More Altissimo is designed by Aakash Soneri in a period between 2017 and 2018.

Bozon is a modern, minimalist geometric grotesk typeface. Letter shapes are crafted with the highest care for proportions and legibility. This clean, sharp sans serif is a great choice for all kinds of modern projects including branding, logo design and display use.

More Bozon family consists of 10 weights with corresponding italic styles, that give total of 20 styles.

Italic styles were hand drawn to get sharp and fine letter shapes. The family has extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular, circled and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

BF Konkret Grotesk Pro, designed by Guido Schneider, is a contemporary grotesque with a straightforward style but a very individual touch.

Inspired by classic grotesque typefaces, Konkret Grotesk Pro impresses with its unique character and rhythm: Its elegant and edgy, flexible and forceful.

The Pro family supports up to 220 Latin-based languages. Each of the 16 fonts contains more than 1500 glyphs, including small caps, 7 figure sets, fractions, many ligatures, currency symbols, alternates, special characters and other useful symbols.

11 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling.

In this way you can also switch the simply slanted styled Italic into a real Italic.

More BF Konkret Grotesk Pro is a typeface family that can adapt to many requirements without losing its character and expression.

The range of 8 weights provides all possibilities. Due to the lovingly designed details, Konkret Grotesk Pro works both in small sizes as well as in display applications.

Thus, Konkret Grotesk Pro is ideally suited for contemporary and demanding typographic tasks, both in the fields of editorial design, branding, posters and advertising.

(The new Pro edition is the extended and optimized version of the previous BF Konkret Grotesk.

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