Stella Tyas

Mastro Sans is a contemporary humanist sans serif. The lowercase shapes are simple yet distinct, its organic design (specially the italic) are based on different stroke modulation ideas combined into a coherent whole.

The uppercase is inspired in roman capital proportions yet keeping the lowercase stroke modulation.

Mastro Sans has a total of 16 styles and it covers a large set of languages.

It also has many Opentype features, such as small caps, superscript numbers and letters, old style and lining figures, tabular figures, case sensitive forms, fractions and more.

More It is a design with a lot of personality while being versatile. You can use it in branding, editorial, web and video.

Jiho Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with minimal & modern shapes without any decorative distractions.

The spaces between individual letter forms are precisely adjusted to create the perfect typesetting.

Jiho is versatile type family of 18 fonts. Jiho family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics.

The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets.

Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features.

We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Squalo, the genesis The idea of this project called Squalo popped into my mind while I was working with excitement on some sketches.

I was chasing after a strong typographical character, something that for me has to be crystallized in form which is always legible and functional.

The concept More The concept of Squalo arises from the observation of an athletes body: you notice that even if most are lean, they are also strong, cut and chiselled.

The sport they play molds and modify their bodies. Just think, for instance, on a professional swimmer: during the competition every single muscle, tendon, tissue, cell is working to swim faster.

Every single part is there to give strength and speed like in a squalo (shark in italian).

Not as an eel, nor as a mermaid, nor as a hake. Just like a shark. If you take a quick look, you will notice that the width of the typeface is slightly more condensed than that of a standard sans serif.

We designed Squalo this way specifically to assist and strengthen your concepts through stylized typography.

We designed the joins and terminals (tip ends) of the characters A, V, W, Z, v, w, z, to create a feeling of tension, reinforcing the concept of shark, danger, caution, as well explicit, intentional movement.

Pure strength. We wanted to recall the exact moment of the start of the 100 meters race: when the sprinter initially spreads all of his powerful energy.

The italic version, starting with the former two typographical concepts of width and tension, emphasizes them.

First of all, we compressed the characters 10 percent more, and slanted it 10 degrees to the right.

With this movement I intended to convey the gorgeous feeling of tension in power and rapidity.

The typeface has 9 weights, from hair to black, and two versions, regular and italic.

All 18 fonts include small caps, unicase, tabular and oldstyle numbers, numerators and denominators, and much more.

Squalo is an ideal typeface that I recommend for use in marketing campaigns, design of packaging, magazines, branding for tv programs, films, book texts, editorial, publications, logos, corporate projects, web texts, and graphic design in motion.

Squalo supports the following languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwichin, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotck (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Mori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

Just like Grandmas recipe, Recoleta combines a variety of ingredientsfrom various popular 1970s typefacessuch as the soft and gentle shapes found in Cooper or fluid, angled strokes in Windsor mixed into one single design that features familiar yet fresh, modern flavors.

Its variety of weights provides a range of choices that will help you find the best typographic color for your project.

Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines.

The available stylistic alternates offer a number of different characters that give your logo or business card a unique look.

The Cannon family is the result of combining clean aesthetic from classic sans neo-grotesque typography adding a touch of mecano fonts.

The result is a simple but dynamic typography with retro and technological airs.

Cannon is ideal for robust advertising, bold brand identities and packaging, also suitable for high impact headlines and short texts.

This type family consists of 36 variants and 9 weights (thin, extra light, light, regular, book, medium, bold, extra bold, black), matching italics for all weights and widths, matching small caps for all weights and widths, alternate characters and extended language support.

We are proud to introduce: Cannon.

Kapra Neue Pro is a younger sister of Kapra Neue he was the #1 bestselling Grotesque Sans released in 2017 on MyFonts and grandson of Kapra.

Now you really have a lot of options to choose! New family is full of everything 96 weights contain a wide range of instances, from Condensed to Expanded, everything with rounded corners or with sharp ones.

Now, font has also: small caps, cyrillic script, and old-style figures. Kapra Neue Pro is inspired by a You And Me Monthly magazine, published by National Magazines Publisher RSW "Prasa in Poland, from May 1960 till December 1973.

Sarun is a typeface that harmonises between Humanist, Geometric and Industrial Sans, it would be a bit problematic to define its definite character.

Nevertheless, Sarun is very compatible with layouts and super easy to use in a variety of designs.

Not only is Sarun equipped with Italic, Small Caps and a complete Alternate set, it also contains the 10 most significant Cryptocurrency signs.

Sarun consists of 10 weights and 3 widths along with Italic in every styles.

Rigrok is a 14 style semi serif designed by Stew Deane. The design of the typeface was intended to create a premium feel that is suitable for the widest range of tasks, while still maintaining a unique sense of character.

Stew designed Rigrok to draw on his graphic design experience to create a typeface that is suitable for many a design or branding job.

The result is an easy to use, versatile typeface that charms with personality and character.

Bozon is a modern, minimalist geometric grotesk typeface. Letter shapes are crafted with the highest care for proportions and legibility. This clean, sharp sans serif is a great choice for all kinds of modern projects including branding, logo design and display use.

More Bozon family consists of 10 weights with corresponding italic styles, that give total of 20 styles.

Italic styles were hand drawn to get sharp and fine letter shapes. The family has extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular, circled and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

You can Download All 36 Demo Fonts The Lexis font family is a sans serif super family consisting of two sub-families - Lextis & Lexis Alt.

While the first one follows the humanist model, its alternative version Lexis Alt dives way deeper into the geometric aesthetic.

Its simple yet versatile, packing great amount of well balanced weights, extensive character set and numerous Opentype features.

The Lexis typefamily comes in 9 weights plus their italics, two distinctive styles and support for over 200 languages.

Quiche is a high-contrast, sans serif typeface featuring ball terminals and angled stems. This 52 font superfamily is a complete branding suite. The 4 subfamiliesDisplay, Fine, Stencil, and Textwere created to work harmoniously together based on the need.

With weights ranging from thin to black and matching italics, there are a variety of applications that the fonts can be used for: print, web, branding, advertising, magazines, products, packaging, labels, etc.

The design is influenced by the serif didone genre, characterized by its elegance and extreme thick/thins, but it removes the serifs for a unique and modern expression.

The high-contrast style exudes sophistication, while the ball terminals balance it by softening the overall look to make it feel a little more approachable.

More For large type settings, like headlines and titles, use Quiche Display, Fine, or Stencil.

The Fine styles have the highest contrast, so their beauty shines at really large sizes.

For smaller type settings, like body copy and decks, use Quiche Text. It has less contrast and looser character spacing, making it a better reading experience at these sizes.

Quiche has many OpenType features, including: stylistic alternates, swash capitals, ligatures, small caps (Text styles only), fractions, subscripts, and superscripts.

This font has extensive Latin language support for Western, Central, and South Eastern European.