Stella Tyas

Ordax is a condensed display sans-serif type family. Simple, clean and modern, it was designed to assert reliability and gravitas to the content.

It is particularly suitable for projects that demand simplicity and space economy.

Details include four weights with matching italics, 447 characters and the Opentype features.

Tyrium is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and the ideal logo! Whats included: - .

TTF and .OTF files - Opentype features. - Splatters combines perfectly with Tyrium to create cool typography or logo design. - A range of multilingual support.

Total 18 styles, support extended latin and cyrillic. DN pro is geometric and modern sans serif. Has a features small caps, case-sensitive, standard/discretionary ligatures, numeral set and more.

Alternates character : Stylistic alt : @ set 01 : A, Y, a, y set 02 : A, Y, a, y set 03 : A, W set 04 : C, W, c, w set 05 : C, V, c set 06 : E, v, e set 07 : G, e, g set 08 : G, i set 09 : K, , k, , set 10 : M, m, l set 11 : M, n, r set 12 : Q, r set 13 : S, s set 14 : T, u set 15 : T set 16 : , set 17 : , set 18 : , set 19 : ,

Bison is a sophisticated and strong family of sans serif fonts. Its sturdy uncompromising style is felt through controlled letterforms and modern touches. A balance of hard lines and smooth curves, each font in the family can stand on its own dynamic and authoritative in their own right.

FEATURES Bison includes ten all-caps fonts: Four weights / Italics / Outlines / Numbers & Punctuation / Extensive Language Support More Bison Bold - bold and commanding Bison Demibold - the persuasive middleweight Bison Regular - a sturdy midground between light and bolds Bison Light - quiet but confident Bison Outline (Thick and Thin) - edgy and engaging USE Bison works great in any branding, logos, magazines, films.

The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.

Rileno Sans is sharp with geometric forms and strong personality. It is constructed in a geometric manner and inspired by the constructivist typefaces of the 1920s with a humanistic quality.

It comes in 6 weights, 6 uprights and their matching italics. Rileno Sans is equipped with opentype features like Alternate charates, Fractions, Monospace Numbers, Superscript/subscript, Arrow, Roman Numbers, Ligatures and More.

The typeface that became Quair was originally planned as an extension of our Oban typeface.

As it developed it became different enough to be a stand-alone, but connected typeface.

Quair mixes typographic and graphic reference points, most notably from market-stall trader lettering and from Thorowgood and Scotch nineteenth-century typefaces.

Quair isnt an updating or redrawing of these. It adds different ideas to make a distinctive, separate-looking typeface. More The lettering by Market stall traders to advertise their products has immediacy and economy, but is expressive and surprising.

Letter shapes that look drawn but have a feeling of being written in quite a simple, unfussy way.

Shapes are big, decorative but unrefined, Quairs lettershapes have this idea of being reduced.

They are minimal, in that they lack subtlety, but are characterful and individual.

Round and Triangle serif options highlight this idea of the letters as graphic shapes, and offer a difference in emphasis between curvy and angular.

Like Oban, Quair takes inspiration from the Thorowgood, nineteenth century headline typefaces.

These have striking and idiosyncratic drawing, with exuberent, bold letter shapes.

As with the market trader lettering their character and individuality is expressed through an economy of drawing, and the impact of the high contrast between thick and thin.

Quairs character shapes have something of the sparse, rigorous quality of Scotch typefaces.

Scotch typefaces are known for their utility aesthetic. Quair has something of this, but typographic nuance has been reduced with a simplified, graphic shape.

Modulation has been replaced with binary thick/thin. An angular, basic and inelegant look, but functional and useable.

First designed in the early 1800s, Walbaum never achieved the audience or acclaim it deserved despite its easy elegance, and sophisticated persona.

Its been fully restored for this expansive family, which includes 32 weights including ornaments and two decorative cuts.

More Walbaum offers the kind of warmth thats missing from comparable typefaces such as Bodoni or Didot, feeling effortlessly approachable and legible.

Monotype team Carl Crossgrove, Charles Nix and Juan Villanueva have adhered to designer Justus Erich Walbaums original intentions, also incorporating work by the designers son into some of its more extreme display weights pushing the possibilities of Walbaum without compromising on its spirit.

Text weights work well for the demands of digital environments, while decorative and display weights offer more dramatic, sculptural forms.

Unusually, the family also includes a generous range of ornaments. From massive billboards, to micro-type on e-readers, Walbaum has it covered. The family is available as OpenType OTF font format, and includes over 600 glyphs with OpenType typographic features including small capitals, old style and lining figures, proportional and tabular figures, fractions and ligatures.

A user guide is available in PDF format from the gallery view. It gives an overview of the optical sizing available and provides a keyboard guide for the ornaments.

Inspired by old school sign painting techniques, Grand is a display condensed sans serif that isn't shy to put its foot down.

Its verticality and bulky curves combined with its sharp angular connections between the bowls and stems give Grand a distinctive look and feel.

It comes in 12 styles (6 weights and accompanying italics), and supports over 200 languages.

Grand Regular and Grand Italic are both available for free (personal and commercial use).

Useful links: TT Tricks PDF Type Specimen TT Tricks graphic presentation at Behance TT Tricks is a modern serif font family whose design refers us to the style of transitional serifs.

The distinctive features of TT Tricks are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized businesslike nature.

More The original idea of TT Tricks is based on the graduation project of student Sofia Yasenkova, who chose to create a daily planner font as her final project.

This led to many stylistic decisions, for example, the large and asymmetrical serifs, low contrast strokes, and the presence of interesting details.

In the process of working on TT Tricks, we have significantly revised the initial idea and expanded the areas of possible font application, while maintaining the original spirit of the project.

Despite the large number of display details, the typeface looks great in a small point size, and also when it is used in large text arrays.

TT Tricks features an original stylistic set which, when turned on, adds features of typical pointed-pen serifs to some of the lowercase characters.

In addition, TT Tricks has small capitals for Latin and Cyrillic alphabets, as well as several interesting ligatures.

The TT Tricks font family consists of two font subfamilies, these are the main version and the version with the original stencil cutting.

Each subfamily consists of 12 fonts: Light, Regular, DemiBold, Bold, ExtraBold, Black + True Italics.

Following a good tradition, TT Tricks supports a large number of OpenType features: ordn, case, c2sc, smcp, frac, sinf, sups, numr, dnom, onum, tnum, pnum, dlig, liga, calt, salt (ss01).

Darwin Rounded, the resequel to Darwin, is ready for sea and new adventures! A new fresh design with an updated language support and different sets of figures.

Darwin Rounded comprises 3 subfamilies: Darwin Rounded Pro, Darwin Rounded Essential and Darwin Rounded Alt Essential.

The font includes alternative characters available as an OpenType feature as well as Oldstyle figures, numerators and denominators.

Special thanks to Eli Hernández for her help with digital editing.

Manofa is a calligraphic sans-serif typeface. It is inspired by Warren Chappells Lydian and originated from the experiments with the shape and form of the letter O.

The result is a contemporary, sharp and sculptural display. Details include four weights, matching italics, two widths, alternative characters and the OpenType features.

Bozon is a modern, minimalist geometric grotesk typeface. Letter shapes are crafted with the highest care for proportions and legibility. This clean, sharp sans serif is a great choice for all kinds of modern projects including branding, logo design and display use.

More Bozon family consists of 10 weights with corresponding italic styles, that give total of 20 styles.

Italic styles were hand drawn to get sharp and fine letter shapes. The family has extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular, circled and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Capital is a multifunctional super family with modernist roots. It is comprised of two distinct subfamilies: Gothic and Serif. Both share the same structure and proportions and come in seven weights thin, light, regular, bold, extra bold and black, along with corresponding italics.

Both Capital families are equipped with a full set of Cyrillic characters, making them a versatile choice for multinational use.

More All Capital fonts come with the following Open Type features: Small Caps, Old Style Figures, Fractions, Numero-sign & Ligatures.

Features specific for Gothic roman versions only are Circle Numerals, Titling alternate for the R character and Arrows.

The Gothic italics have a Titling alternates feature where the true italic forms are omitted and replaced with simpler stroke endings.

Both Capital gothic and Serif families are true workhorse fonts that can carry out almost any typographic task.

Combine them both for the best results multi-pack available for a no-brainer price.