Stella Tyas

Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude.

The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use.

Lighter weights provide great legibility at small sizes while the regular and bold weights are more suited to titling, logo and headlines.

More It was designed in 2006 by Francesco Canovaro in two weights (regular and extralight) and later used by Cosimo Lorenzo Pancini as base inspiration for the design of the successful Zetafonts' Cocogoose Pro typeface.

In 2018 the family was completely redesigned by Andrea Tartarelli, expanding the original glyph set to include cyrillic and greek and adding three extra weights and italics.

The restored and revamped version, named Sugo Pro Classic, also includes full Open Type features for positional figures, Alternates and Small Caps, and restores alternate glyph shapes created by Canovaro for the original Sugo, accessible as Stylistic Alternates.

A companion typeface, Sugo Pro Display, uses these alternates as base glyphs and provides a tighter kerning, ideal for display use and logo design.

The pan-European Cera Collection is driven by pure geometry and contains the bestselling Cera, its stenciled counterpart Cera Stencil, the hand-crafted display Cera Brush and the soft Cera Round.

Developed for the narrow reading environments of mobile devices, user interfaces and text columns, Cera Condensed and Compact take the clarity and geometry of Cera Pro to new places.

More Narrow but not obviously condensed, Cera Compact is made for efficiency in body text.

With regularly proportioned spacing it has the flexibility for text and headlines, taking up less space without making text less readable.

Super tight Cera Condensed is for when you need a geometric sans that can work in a narrow space, large or small; compact information leaflet or compressed headline.

Condensed or Compact, a broad spectrum of six weights, thin to black, each with matching italics makes these fonts ready for any typographical requirement and reliable typographic tools for interfaces and corporate design.

And it gets even better: for best on-screen performance the TrueType files for the web and desktop fonts are improved with manual hinting.

The extended, pan-European Cera Condensed and Compact support around 150 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants.

With over 980 glyphs per style, Cera Condensed and Compact care about localised letterforms and have the OpenType features to match.

Vin (translated from Ukrainian as he) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners.

All three typefaces feature very large x-height for even more expression and assertiveness.

Vin Mono Pro is a squarish monospaced font family with extra-large x-height and rounded corners.

It is characterized by evident straight elements even in horizontal stems. Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Slab Pro.

Terrance Weinzierls Terry Junior typeface is a perfectly imperfect design one that retains the marks of the brush used to create it and harks back to the craft required to hand make letterforms.

Originally drawn during a Monotype Font Marathon, Weinzierl later refined the typeface digitally adding an Inline version and designing alternates that replicate the irregularity of real-life brush scripts.

It has a natural, cheery and bold appearance, says designer Terrance Weinzierl.

Its young, but not wild. Painted, but not sloppy. A sign painters apprentice, perhaps. More Terry Junior is an obvious choice for designers and brands communicating with younger audiences, but would also work well on book covers, packaging, and in digital environments that need a little bit of extra playfulness.

The family includes five fonts, including an Inline version.

Vin (translated from Ukrainian as he) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners.

All three typefaces feature very large x-height for even more expression and assertiveness.

Vin Slab Pro is a condensed rigid slab-serif with extra-large x-height and rounded corners.

It is designed specifically for short texts to add significance and emphasis.

Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Mono Pro.

Jiho Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with minimal & modern shapes without any decorative distractions.

The spaces between individual letter forms are precisely adjusted to create the perfect typesetting.

Jiho is versatile type family of 18 fonts. Jiho family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics.

The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets.

Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features.

We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Vin (translated from Ukrainian as he) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners.

All three typefaces feature very large x-height for even more expression and assertiveness.

Vin Sans Pro is a quite narrow rigid sans-serif typeface with extra-large x-height and rounded corners.

It is perfect for any kind of short copy with lots of attention guaranteed.

Be sure to check other two typefaces of Vin superfamily: Vin Slab Pro and Vin Mono Pro.

Blacker is a wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli as a take on the contemporary evil serif genre: typefaces with high contrast, 1970s-evoking proportions and sharp wedge serifs.

Design details have been fine-tuned in two subfamilies: the display variant offers tighter kerning, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering with lower contrast.

Each subfamily comes in six weights from light to heavy, with matching true italics, for a full range of editorial and advertising uses.

More Blacker features an extended character set that covers over seventy languages using the latin alphabet, as well as Russian Cyrillic.

Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

Clincher is a set of monospaced and duospaced fonts designed specifically for program coding and user interface design.

Distinctive font design and multiple alternates allow to use it in advertising, wayfinding and signage as well as in short texts when regularity and monospacing is important.

The font was designed by Alexander Lubovenko and released by Paratype in 2018.

Point aims to be an epitome of the Geometric Style. Inspired by intemporal classics such as Futura, Avant Garde or Avenir, passing through more contemporary approaches of the same style; ignited by the overarching narrative of the Modernity (Perfect Geometric Shapes) and careful design decisions, Point is a font that references the past as well as projects itself to the contemporaneity.

With a total of 10 weights, with respective hand adjusted obliques, Point has a total of 20 styles with Extended Latin support as well as Cyrillic, all with the most needed Opentype features, such as fractions, tabular and oldstyle figures, alternates, case sensitive forms, etc.

More Point has a superb versatility and can be used in almost every circumstance, try it for yourself and see what point Point makes.

Dewi is a modern neo-grotesque multi-typeface family with closed forms. It includes 4 versions: condensed, normal, extended, expanded. In each version there are 16 font styles: 8 regulars and 8 italics (64 styles in total).

The family contains weights from thin to black. Everything is ready to solve absolutely any graphic tasks. Dewi helps to create a unique and vibrant design consonant with the spirit of our days.

ontours remains neutral in a small size but when you work with large sizes Dewi shows his strong and confident character.

Ideally suited for web design, logos and branding, navigation, printing, advertising and packaging, infographic, poster design, music covers and so many more.

This typeface will be a real workhorse for you. More Opentype features: old-style figures, tabular and tabular old-style, slashed zero, ligatures, fractions and automatic frations, circuled numbers, arrows and stylistic alternates for arrows, superscript and subscript.

Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 70+ languages)