Stella Tyas

Tyrium is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and the ideal logo! Whats included: - .

TTF and .OTF files - Opentype features. - Splatters combines perfectly with Tyrium to create cool typography or logo design. - A range of multilingual support.

Breakfast Script is an elegant connected script family of three weights. Breakfast Script is equipped with Contextual Alternates that helps to keep connections smooth.

Every standard character also has Swash Alternate for more funky letters. In addition theres 26 ending swooshes placed in a-z that you can access from Stylistic Alternates.

Breakfast Script is a great display type that works as a logotype or fancy headline type.

Marmalade Script by Uniontype is a modern multilingual type family inspired by vintage monoline fonts.

The family consists of light, regular, bold and printed styles. Choose olor and offset according to your taste. Marmalade Script provides advanced typographical support with contextual alternates, ligatures and swashes.

That way, youll have automatic access to the dozens extra glyphs in each of the fonts.

Marmalade Script is good for menu, signs, packaging, posters, letterings and logos.

Inspired by old school sign painting techniques, Grand is a display condensed sans serif that isn't shy to put its foot down.

Its verticality and bulky curves combined with its sharp angular connections between the bowls and stems give Grand a distinctive look and feel.

It comes in 12 styles (6 weights and accompanying italics), and supports over 200 languages.

Grand Regular and Grand Italic are both available for free (personal and commercial use).

The publication of this more mature design is the result of a previous 1-style project which was developed in 2010.

Rita, the new design, has increased from one single style to a full font family, with a strong personality, ideal for short text for high impact designs.

Rita is a slab serif typeface that offers a wide range of weights and widthsfrom a thin, ultra condensed font to a heavy variant for poster design.

Its variety of weights and widths allows users to create a number of different compositions such as titles and text for impact or high impact graphics.

More Rita comes in 10 styles and includes a set of 400 characters that support over 200 languages.

Rita was designed by Daniel Hernández with the collaboration of Rodrigo Fuenzalida.

Introducing: Northwell! A rustic, dapper, handwritten font with a personal charm. With quick dry strokes and a signature style, Northwell is perfect for branding projects, homeware designs, product packagingor simply as a stylish text overlay to any background image.

Northwell includes a complete set of alternate characters in the Stylistic Alternates set, as well as a set of 20 hand-drawn swashes, the perfect finishing touch to underline your Northwell text.

Ligatures are also available for several lowercase characters.

Kertayasa is a layered typeface inspired by an old signage and vintage letter painting. It consists of 10 layers, a wide support of latin languages, and some alternates. You will imbue beautifully vintage display typography in anything including editorial and packaging which you might create.

Demo is a flat-sided, technoid-style sans serif family. It has ten fonts on offer; thats five different weights, each with a companion italic.

The italics are really obliques, differentiating themselves from texts set with the upright fonts by their slant.

However, rather than calling the italic fonts slanted versions of Demos upright fonts, we should rather say that Demos upright fonts are straightened-up italics.

Much of the letter construction in the Demo typeface is actually italic, meaning that it is inspired by handwriting.

And this despite its being a sans serif with an almost futuristic appearance.

The a and g in Demo are both single-storey, but the combination of curves and corners in these two letters is right out of a 16th-century Italian chancery.

The other notable feature of Demo is the strong mono-linearity present in all ten of the fonts.

Demos letters do not include any visible stroke contrast: Demos lowercase has a very tall x-height, and the capital letters are compact (the lowercases ascender strokes rise above the caps somewhat).

Demo does not need to be restricted to use in display sizes only; its lighter weights may be used to set shorter passages of body copy, too.

Demo was designed by Aarya Purohit and the Indian Type Foundry (ITF).

Interlink is a single-weight, all-caps stencil typeface designed by the French designer Julie Soudanne.

Its forms are monolinear, and they have the feeling of a contemporary-style sans serif.

Interlinks letters are nice and geometric, but they are not mono-width. Nevertheless, Soudanne constructed many of the characters so that they feel like they might be equally wide, even though they are not.

Aside from the stencil-optic, Interlinks best feature is its unique series of 68 ligatures.

This large set includes both two-letter and three-letter ligatures. The OpenType Ligatures feature is so important to this design that the letters ability to link-up to each other is referenced in the typefaces very name: Interlink is, basically, a palette of inter-linking letters for designers to use in display sizes.

Interlink may be used very well in headlines, or for logo design. The typeface may be paired with virtually any kind of body text fonts, be these serif or sans.

The original Lawabo was started many years ago by Rainer Scheichelbauer. Its ­minimalistic and rounded shapes are reminiscent of bathroom ceramics, hence the name. Schriftlabor designer Miriam Surányi added bold and italic shapes, and produced the family.