Stella Tyas

Black Diamond isn't your average brush font, its raw, edgy & bursting with attitude! Hand-painted with extra attention to quick-strokes and dry textures, Black Diamond is guaranteed to deliver a loud, proud & unashamed message - ideal for logos, handwritten quotes, product packaging, merchandise, advertising, social media & branding projects.

More Black Diamond comes as a single font packed full of great features. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support.

The font also contains several ligatures and stylistic alternates for those who have opentype capable software.

Lastly you can add some finishing touches to your work with the added bonus extras; Just type out any of the square-bracket characters { } [ ] on your keyboard for quick and easy access to 4 different swashes, and the arrow up ^ key to produce paint splatters.

Huge Language Update; Black Diamond has now been updated to support Greek & Cyrillic alphabets.

Blacker is a wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli as a take on the contemporary evil serif genre: typefaces with high contrast, 1970s-evoking proportions and sharp wedge serifs.

Design details have been fine-tuned in two subfamilies: the display variant offers tighter kerning, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering with lower contrast.

Each subfamily comes in six weights from light to heavy, with matching true italics, for a full range of editorial and advertising uses.

More Blacker features an extended character set that covers over seventy languages using the latin alphabet, as well as Russian Cyrillic.

Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

Arlon makes it easy to give any brand or advertising a cool & futuristic look. Thanks to its spurless letterforms and some uncommonly shaped letters, this typeface creates a strong visual impact even in small sizes.

Having generously rounded angles and terminals, Arlon also spreads warmth and friendliness.

To sum up, Arlon communicates an affinity for technology in a friendly way.

The family contains a really wide span from thin to black and has many Opentype features as well as many numerical variations to offer, making it a versatile font.

More From Afrikaans via romanized Chinese through to Zulu: Arlon comes with 631 glyphs per font, covering more than 200 languages.

Designed by Marc Lohner in 2018.

Perm your hair, squeeze into your lycra, and retro-fy your text with Bayshore! A totally tubular mono-line script font straight out of the 80s.

This hand-drawn font is perfect for creating slick & stylish lettering. Whether its for logos, product packaging or merchandise, Bayshore is guaranteed to give your text an unmistakeable retro quality.

Bayshore comes as a single font file with added features allowing you to customise your text; More End Swashes Each lower-case character has a separate end-swash version, use this for the last letter in a word to give it a custom-feel styling.

These end-swashes are accessible via any software with Opentype capabilities, simply by turning on Stylistic Alternates.

Underline Swashes Four swashes of varying lengths are also available, simply by typing any of the square brackets [ ] { }.

These can be used to underline your text and give it a real eye-catching quality.

Meet Mindset, an open-minded versatile hand-drawn family. Its regular and slim cuts, both all-caps-with-alternates for that unique feel, fit countless purposes where a touch of hand-done is welcome.

Theres yet a picture font with plenty of stylish graphic elements for added coolness.

Give it a try and see for yourself. Its all in the mind, y'know.

Introducing Better Times, a handmade brush font! This bold, free-flowing and confident brush font is designed to be easily customisable with a full set of alternate characters and a bonus set of 20 swashes! Oh, and not to mention it looks great in both all-caps as well as lowercase - all of this together providing you with a huge range of layout options.

Better Times is a brush font which you can use and enjoy again and again, for anything from promotional material and handwritten quotes, to product packaging, merchandise and branding projects.

Hope Sans takes the jaunty style of 1950s and 60s lettering and melds it with the jubilant 1970s swashes of Bookman.

The result is a sans serif family that is lively, inviting and deeply customizable.

Its basic sans serif forms create engaging text, while a roaring collection of swash designs, alternate characters and ligatures make it a natural for attention-grabbing display typography.

More The middle weights of the family are easy on the eyes and shine at smaller sizes and in blocks of text copy.

Their friendly vibe also translates well to web and interactive design projects.

Spacing is open, counters are large and Hope Sans range of six weights can provide just the right design for virtually any need.

Headlines, subheads, banners and navigational links are naturals for its lightest and boldest weights either with, or without, the swash letters.

Hope Sans is a paint box, says its designer, Charles Nix. In its basic form, its a sturdy grotesque, capable of setting text in a cool and relaxed way.

But a bit of accenting with the alternate forms easily creates an entirely different mood and meaning.

And for those that are willing to really mix with it, the variety of alternate characters can build truly unique typographic statements.

Segno. A Splash of Freshness. Cool, young and fresh, Segno surprises with his informal character and convinces for its careful execution.

Its rounded forms and serifs evoke discretely the flow of a brush. Due to its moderate inclination Segno is easily readable and suits to more typographic purposes than you probably would expect from an informal typeface.

Add a splash of freshness to your artwork, with Segno.

Heading Pro Medium, Heading Pro Double and Heading Pro Treble are three variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts.

These three medium width families have been added to the original condensed width family to be used in any case where you have to complement the space optimizing qualities of Heading Pro with some standard-proportioned text.

More The range of widths of the Heading Medium collection extends into the Double and Treble widths, each coming in an ample range of weights with matching italics and a wide array of open type features that allow you to design text blocks with a fine grain control on appearance.

Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using Latin, Cyrillic and Greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

The full Heading Pro Super Family includes Heading Pro Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 fonts built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.