Stella Tyas

High is defined by a set of simple ideas, or constraints. A non-geometric, humanist shape. A monoline weight. Stencilled, with a horizontal or vertical cut only, the stencil gap consistent ­ so positioned where that is possible.

Highs letter shapes, which because of the stencilling are free of awkward connections at curve-to-vertical, have a fluidity and simplicity.

By separating the letter elements, the stencilling makes the letters interesting, graphic shapes, making decorative words.

More High has two options High Bar, which is a linear serif, and High Ball which has a circle-serif, like a ball terminal.

The circle of HighBall suggests Didone typefaces, High Bar more utility, modern, slab serifs.

With High Bar, the vertical serifs are consistently sized and unusually long.

The shape repeats the c has same-size serifs top and bottom, letters such as the f, j, r and y have slab serifs, the serifs and tittles of i and j the same size.

These dash-serifs make a linear pattern, and has the feeling of a kind of a code.

The ball terminal of High Ball gives a decorative effect a series of floating, bouncing balls across words and text.

The ball device is added top and bottom of the c, the g, j and y to ensure balance and rhythm across words and text.

As with High Bar, the repeating pattern give a codified look.

Quiche is a high-contrast, sans serif typeface featuring ball terminals and angled stems. This 52 font superfamily is a complete branding suite. The 4 subfamiliesDisplay, Fine, Stencil, and Textwere created to work harmoniously together based on the need.

With weights ranging from thin to black and matching italics, there are a variety of applications that the fonts can be used for: print, web, branding, advertising, magazines, products, packaging, labels, etc.

The design is influenced by the serif didone genre, characterized by its elegance and extreme thick/thins, but it removes the serifs for a unique and modern expression.

The high-contrast style exudes sophistication, while the ball terminals balance it by softening the overall look to make it feel a little more approachable.

More For large type settings, like headlines and titles, use Quiche Display, Fine, or Stencil.

The Fine styles have the highest contrast, so their beauty shines at really large sizes.

For smaller type settings, like body copy and decks, use Quiche Text. It has less contrast and looser character spacing, making it a better reading experience at these sizes.

Quiche has many OpenType features, including: stylistic alternates, swash capitals, ligatures, small caps (Text styles only), fractions, subscripts, and superscripts.

This font has extensive Latin language support for Western, Central, and South Eastern European.