Stella Tyas

Arlon makes it easy to give any brand or advertising a cool & futuristic look. Thanks to its spurless letterforms and some uncommonly shaped letters, this typeface creates a strong visual impact even in small sizes.

Having generously rounded angles and terminals, Arlon also spreads warmth and friendliness.

To sum up, Arlon communicates an affinity for technology in a friendly way.

The family contains a really wide span from thin to black and has many Opentype features as well as many numerical variations to offer, making it a versatile font.

More From Afrikaans via romanized Chinese through to Zulu: Arlon comes with 631 glyphs per font, covering more than 200 languages.

Designed by Marc Lohner in 2018.

Axios was designed, on one side, due to its rational intention of searching the beauty on the purity of its forms, assuming the language of the early XX century geometric sanserifs, but its structure foundations are deeply attached into the classic typography; because while its uppercase proportions proceed form the roman canon, its lowercase are constructed following the humanist calligraphy ductus.

This blend produce a typeface of modern, clean and minimalist personality that has implicit, on its core, a classic traditional spirit.

All this gives Axios that form and function balance which allow it freely travel through a diverse range of fields like long text settings, branding or signalling systems with grace and naturality.

More Axios includes an extensive repertoire of ligatures, stylistic alternates, swashes and borders, in a set of more than 1000 glyphs per style with support for over 200 latin languages.

Interlink is a single-weight, all-caps stencil typeface designed by the French designer Julie Soudanne.

Its forms are monolinear, and they have the feeling of a contemporary-style sans serif.

Interlinks letters are nice and geometric, but they are not mono-width. Nevertheless, Soudanne constructed many of the characters so that they feel like they might be equally wide, even though they are not.

Aside from the stencil-optic, Interlinks best feature is its unique series of 68 ligatures.

This large set includes both two-letter and three-letter ligatures. The OpenType Ligatures feature is so important to this design that the letters ability to link-up to each other is referenced in the typefaces very name: Interlink is, basically, a palette of inter-linking letters for designers to use in display sizes.

Interlink may be used very well in headlines, or for logo design. The typeface may be paired with virtually any kind of body text fonts, be these serif or sans.

A collaboration between SAEL (artist) and Ale Paul (type designer) for Sudtipos as part of the first project at the foundry between illustration and type design to create a collection of colorfonts.

More About the font: "Enterline assumes with authority the visual expression of color fonts.

In its use, the density of Enterline becomes liquid. In his narrative, it becomes a pattern of infinite variables and nuances. In its hybridity, it evolves as hyper-typography. Sael marks its graphical nature (patterned diagonals, colors and shapes) in each letter of Enterline, and achieves a massive editable color font for the mobile first generation.

Robotics and futuristic fandom, explicit japonism, cosmic phenomenology, tech toys, pixel art and the accelerated pulse of the present in communion with codes, scalable vectors and the scope of new technologies, to create a mechanic, multicolored and optimistic big bang.

In Enterline, reconsidered typographic thinking and digital vertigo." Lucas López Package: Enterline comes in a file with a pre-defined color palette. You can always change the colors converting the text to outlines. There is also a super unique Black & White version specially designed to work in any application.

Technical info to use: The package contains a normal OTF font in Black and White and a colorfont in SVG-TTF format.

To be able to use the color file you need to have installed Adobe Photoshop CC2017, Adobe Illustrator CC2018 or QuarkXPress 2018.

Not all the browsers support color fonts so please be sure to use them as graphics.