Stella Tyas

Manifest is a geometric type family that based on the principles of simplicity, modernity and functionality.

With low-contrast design approach, it performs excellently in any project from print to digital.

It comes in five weights with an extended character set includes 240+ glyphs per typeface, supports Western and some Central European languages.

Calps Sans is a variant of the original Calps typeface. Import to be more corporate, Calps Sans family use flat corners instead of rounded corners (Calps).

Calps Sans is a prominent, eye-catching and unique typeface. It comes with 9 weights and Slim version in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

Ordax is a condensed display sans-serif type family. Simple, clean and modern, it was designed to assert reliability and gravitas to the content.

It is particularly suitable for projects that demand simplicity and space economy.

Details include four weights with matching italics, 447 characters and the Opentype features.

This four-piece family is the DIN design, but not as you know it. The famously, crisp, clean and precise typeface has been given a textured update thats reminiscent of rusted metal, or rubber stamps.

Underneath this lies the same sturdy, geometric shapes that have allowed DIN to stand the test of time, but with a new sense of tangibility.

This kind of treatment is more about creating a feeling or a mood that goes beyond the communication of the words themselves, explains Monotype Studio director Tom Rickner.

I think it expands the repertoire of what DIN Next can express. More Designed for display, these four typefaces DIN Next Rust, DIN Next Shadow, DIN Next Slab Rust and DIN Next Stencil Rust show a new side of DIN Nexts personality, as if the surface of each letterform has been gradually worn away over the years.

Query was born out of that lineage of experimentation and developing a voice within type. I wanted this typeface to have a strong personality but also give room for legibility.

The typeface was inspired from people like Karl Heinz, to Hamiltons Class L fonts, and even civil rights posters from 1968.

My original intent was to make a single font that transformed the spirit of woodtype, but done in my voice today.

A college compared it to a modern Trade Gothic, which I never envisioned, but feel it is an accurate observation.

More As I continued to refine the work, I made sure that the personality, tone and voice was still there but also refining it so that when used, it was legible but still unique to anything I have seen.

I included over 400 glyphs that support many languages and also included three levels of stylistic sets for extra use and style.

Query is as fun to use as it is to look at.

Neptune is a large family of geometric sans serif fonts. Its designer Gaetan Baehr has created 12 styles: six different weights, ranging from Extralight to Extrabold.

Each has an upright and an oblique font on offer. Letters in all of Neptunes weights are drawn with virtually mono-linear strokes. Its lowercase letters have a tall x-height, but still leave enough room for the fonts diacritical marks.

These are actually quite large; theyll always be noticed, even in small sizes.

Neptunes a and g both have single-storey forms. The dots on the i, j, and diacritics are round, as are the punctuation marks, too. Despite being a geometric sans, Neptune features letters that break away somewhat from what previous fonts in that style have offered.

The Qs tail has been simplified into a short, vertical stroke. The strokes on both the S and the s terminate in vertical cuts, instead of having horizontal or diagonal terminals.

The lowercase k and t each have traits that come from our alphabets handwritten origins.

These details give text set in Neptune a different feeling from other geometric sans serifs.

Neptune is an excellent choice for both corporate design and editorial design projects, both because of its range of weights as well as its legibility in text.

Krimhilde was originally designed by Albert Auspurg and released in 1933 with the type foundry Ludwig & Mayer.

The design mixes elements of German blackletter typefaces and geometric sans-serif designs, which became popular in the 1920s in the movement known as New Typography.

The FDI version of Krimhilde offers both original styles (regular and bold) as version A with a full Latin 1 character set.

Version B has alternative shapes for some letters to make the design more legible for people who are not familiar with the German blackletter shapes.

In addition, there are optional display styles available (outline, shadow and fill), which can be used separately or together to create a chromatic layout.

The pan-European Cera Collection is driven by pure geometry and contains the bestselling Cera, its stenciled counterpart Cera Stencil, the hand-crafted display Cera Brush and the soft Cera Round.

Developed for the narrow reading environments of mobile devices, user interfaces and text columns, Cera Condensed and Compact take the clarity and geometry of Cera Pro to new places.

More Narrow but not obviously condensed, Cera Compact is made for efficiency in body text.

With regularly proportioned spacing it has the flexibility for text and headlines, taking up less space without making text less readable.

Super tight Cera Condensed is for when you need a geometric sans that can work in a narrow space, large or small; compact information leaflet or compressed headline.

Condensed or Compact, a broad spectrum of six weights, thin to black, each with matching italics makes these fonts ready for any typographical requirement and reliable typographic tools for interfaces and corporate design.

And it gets even better: for best on-screen performance the TrueType files for the web and desktop fonts are improved with manual hinting.

The extended, pan-European Cera Condensed and Compact support around 150 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants.

With over 980 glyphs per style, Cera Condensed and Compact care about localised letterforms and have the OpenType features to match.

Brayline is a monoline swashed script, a typeface inspired by old neon signs. It contains with more than 400 glyphs, including alternative characters such as: titling, terminal forms, stylistic alternates, stylistic set, and swash variant.

Brayline very suitable to use on many of your design projects such as Signage , Book Covers, Invitation, Packaging, Logotype and more.

To enable the opentype stylistic alternates, you need a program that supports opentype features such as adobe illustrator cs, adobe indesign & coreldraw x6-x7 and more

Total 18 styles, support extended latin and cyrillic. DN pro is geometric and modern sans serif. Has a features small caps, case-sensitive, standard/discretionary ligatures, numeral set and more.

Alternates character : Stylistic alt : @ set 01 : A, Y, a, y set 02 : A, Y, a, y set 03 : A, W set 04 : C, W, c, w set 05 : C, V, c set 06 : E, v, e set 07 : G, e, g set 08 : G, i set 09 : K, , k, , set 10 : M, m, l set 11 : M, n, r set 12 : Q, r set 13 : S, s set 14 : T, u set 15 : T set 16 : , set 17 : , set 18 : , set 19 : ,

Jiho Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with minimal & modern shapes without any decorative distractions.

The spaces between individual letter forms are precisely adjusted to create the perfect typesetting.

Jiho is versatile type family of 18 fonts. Jiho family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics.

The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets.

Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features.

We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Rileno Sans is sharp with geometric forms and strong personality. It is constructed in a geometric manner and inspired by the constructivist typefaces of the 1920s with a humanistic quality.

It comes in 6 weights, 6 uprights and their matching italics. Rileno Sans is equipped with opentype features like Alternate charates, Fractions, Monospace Numbers, Superscript/subscript, Arrow, Roman Numbers, Ligatures and More.

Ano Angular was originally designed for a fashion company. It was to be used as a headline type, half way between the logo we had designed made up of straight lines only and our circle-based Ano typeface, which was to be used for text.

Its design is based on the idea of mixing circles with triangles into letter shapes in a modular, constructed way.

The effect is digital, mathematical, remeniscent of the typography of 1980s arcade games such as Asteroids.