Stella Tyas

The retro-inspired design of Aviano Copper echos the bold style of Americas Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while carrying a big stick.

To create the right balance, small wedge serifs were added onto Aviano Sans, giving you a sophisticated style that looks and acts like it belongs nowhere short of Boardwalk.

More Developed to a new level of excellence, this design offers a wide range of weights from thin to black.

Theres full multilingual support of all Latin-based languages and five stylistic sets, swash designs, and 1000 glyphs per weight, including some unique ligatures.

Number options include old style figures, tabular figures, and superscripts. Unique median spur alternates, swashes, and ligatures will help you customize every single design.

The feel of last centurys personal and business correspondence is waiting for you in this member of the Aviano family.

While ideal for headings, displays, logos, and short texts, Aviano Coppers use for everything from letterhead to wine labels may just give you the monopoly youre looking for.

Born from the intersection of the geometric and grotesque typefaces. Aribau Grotesk combines low contrast and generous width proportions with typical traits of american gothics from the early 20th century, like the counters aperture and a double story g.

Driven by the process, some details that come from the geometric style arose, like the clean-shaped figures and the circular dots that convey a more affable and contemporary look.

Traction was originally conceived and designed by Swiss astronomer Christian Thalmann. Schriftlabor designers Chiara Mattersdorfer and Miriam Surányi expanded, completed and produced the font family.

This typeface sports signature serifs, soft edges and a fluid, organic design.

Enlarged, the organic letters are reminiscent of the profiles of ­off-road tyres and hiking boots.

In text sizes, it is the humanistic forms that set the tone to ensure fluid legibility.

Totalling at 18 styles in nine weights, all fonts come with small capitals and all possible numerical variations.