Stella Tyas

La vie est une fleur dont l'amour est le miel Fleur is the french for flower and I've chosen this language for a good reason.

Over the past 5 years, I've had the opportunity to travel a lot to Paris and I've always tried to catch every moment, and detail of this delightful city through the eyes of the designer inside me.

More Paris is full of surprises mainly for us, artists. In fact, I believe the city is a museum itself. Every corner of any street has something inspiring. But, theres something I particularly love and I want to address here: The Palais Garnier.

Built between 1861 and 1875, this opera house is a dream made true for many of us, who love somptuosité.

Garnier, the architect of this magnificient building, said that the style he proposed was not Grecian nor Roman/baroque, he created something new and called it Napoleonic: Luxurious at its best.

Fleur is inspired in this palace which, in fact, has some similar letters inside.

Garnier put his name at the ceiling of the Rotonde des Abonnés: Letters are interlacing each other with nicely done art nouveau curves.

I thought I could take this idea and achieve something very delicate and imposing at the same time if the font consisted entirely of caps with the logic of a didone and a bit of art-nouveau.

This mix of elegance and flamboyance gave birth to Fleur which has a wide range of uses but was mainly intended for perfumes, fashion magazines, storefronts, book covers or logos.

Not only you'll find many decorative glyphs, but also a vast amount of unique ligatures will make you really adore this font.

Get Fleur and profite de la vie. TECHNICAL As suggested above, the font has many open-type coded alternates and a vast amount of unique ligatures.

Install the font in applications that support them, like Adobe Illustrator of Photoshop.

Gentlemens Script is a dynamic hand-written script in which the sharpness and speed of writing harmoniously coexist with elegance and a serious attitude.

The script allows you to simulate fast inscriptions made by hand while keeping them elegant and classy.

Working on the project, we wanted to develop a script that would harmoniously complement serifs or traditional sans-serifs and perfectly match them.

Gentlemens Script is like an accessory in a gentlemans wardrobe. It dilutes font traditions and adds brightness and dynamics to them. More Despite the fact that the script was designed to be used as a complementary font, it has all the prerequisites to become the main character of your design story.

It does not matter how you use itGentlemens Script easily adapts to reality and always works at the maximum level of efficiency.

To make the script more harmonious and natural, we have drawn more than 60 ligatures.

In order for the ligatures to be substituted automatically, we recommend always keeping the standard ligatures OpenType feature turned on! In addition, there are several alternative characters in the font that are programmed on the OpenType feature contextual alternates and which are used when the letter meets the service characters.

To use the script to its maximum power, we recommend that you always keep the standard ligatures and contextual alternates OpenType features turned on.

If you do not have access to applications that support OpenType features, it does not mattereven without these features you can use and enjoy our font!

Bonny is a family of decorative serif fonts, designed for display typography. The letterforms are very condensed. They also contain a lot of stroke-contrast. Bonnys thin strokes often terminate in flourishes; these flourishes pair well with the typefaces serifs, which are both thin and short.

Bonnys uppercase letters are very top-heavy; the upper halves of B, E, F, H, K, M, R, S, and X are so large that they look almost like caricatures.

This feature is carried over the some of the lowercase letters, too. For example, Bonnys a, c, f, g, k, r, s, t, y, and z are all extravagant and lovely.

The v and w have calligraphic flourishes on their right-hand sides; similar expressions appear throughout rest of the the typeface, too.

Each font includes 13 f-ligatures. An alternate j may be automatically substituted into text, via the Contextual Alternates feature, preventing collisions with glyphs coming before it.

The fonts numerals are oldstyle figures, which match the rhythm of the lowercase letters.

From the Polish type designer Barbara Bigosinska, Bonny is an excellent choice for use on greeting cards and in packaging design.

Its fonts should be set in large point sizes, so that its details have enough space to really shine.

Please welcome Palomino Clean - a carefully digitized brother (or sister?) of Palomino calligraphy font family created using amazing Palomino Blackwing 602 pencils.

Palomino clean can be safely used on the web - no need to worry about file size! - as well as in all desktop applications.

All features are identical to Palomino Original - the script font is loaded with initial, medial and terminal alternates and swashes.

Along with a help of three other fonts - condensed sans, simple sans and design elements font - youll be able to create stunning designs with a click of a mouse.

More This versatile font family will work perfectly for fashion, e-commerce brands, wedding boutiques, photography, quotes design and a lot more.

It has extensive language support and fully unicode mapped.

La Bodeguita is a new calligraphic font carefully designed with walnut ink and a Spencerian feather on an oblique penholder.

Bodega means wine cellar, Bodeguita small "wine cellar"_ This font contains 2 styles, La Bodeguita Regular & La bodeguita Slanted + one Swashes and ornament.

More than 400 glyphs We recommend to use La Bodeguita for Labels design, notes, cards, wedding cards etc.

Stay Classy! ...with the suave new Stay Classy Font Duo consisting of a sophisticated signature-style script, and an elegant, classy, all-caps serif font.

With impeccably refined curves and silky smooth edges, the Stay Classy Font Duo is perfect for adding a classy, modern touch to your projects.

Perfect for branding, weddings, social media, product design, stationery and advertising - Stay Classy is versatile enough to add that elegant element to just about any project where a special touch of class is required.

More THE SCRIPT : To make the script appear as natural as possible in your designs , I have included 2 sets of opentype stylistic lowercase alternates - one of which includes the elegant end letters.

Words look more naturally finished off if end letters are formed with a subtle up-curve.

Last but certainly not least, a large selection of 30 carefully styled character ligatures ( letter combinations ) have also been built in ( see previews above ) .

For those after a more rustic, original look. THE SERIF : The Serif includes carefully constructed built-in opentype kerning pairs to ensure impeccable letter spacing throughout the font.

Typically, in any all-caps serif font, there are certain letter pairs (such as OV AW AT AY AV WO and many more ) that often look incorrectly spaced when coupled together, due to their natural dimensions.

Built-in opentype kerning pairs eliminate this issue - meaning perfectly balanced letter spacing no matter what you type.

Joane mixes the elegancy of French didones, calligraphic endings and glyphic serifs, thus its features convey a warm unique style.

Moreover, its curves have been beautifully designed, and it also comes with both and engraved and deco versions, which add more versatility to the way it can be used.

Joanes is perfectly suited for magazines, branding, advertising, labels, web and packaging.

Joane is my first typeface that is world-wide published. To achieve this goal, I received essential help of W team and friends. I personally want to say thanks to Diego Aravena for the patience, good will and learning; for the friendship and support to Franco Jonas and Raúl Meza.

Because of their help I could find the treasures at the end of the process.

Ale Navarro

Get ultra chic with the new Signature Collection handwritten font - A stylish and super-casual font created to look as close to natural handwriting as possible by including over 100 carefully designed, natural looking opentype ligatures, and a full set of lowercase alternates.

Loaded with built in Opentype features, its recommended that you use it with your opentype ligatures option turned on in your character settings, then watch as, like magic, this script comes to life as if you are writing it yourself.

The Cannon family is the result of combining clean aesthetic from classic sans neo-grotesque typography adding a touch of mecano fonts.

The result is a simple but dynamic typography with retro and technological airs.

Cannon is ideal for robust advertising, bold brand identities and packaging, also suitable for high impact headlines and short texts.

This type family consists of 36 variants and 9 weights (thin, extra light, light, regular, book, medium, bold, extra bold, black), matching italics for all weights and widths, matching small caps for all weights and widths, alternate characters and extended language support.

We are proud to introduce: Cannon.

Looking at some specimen books of printing types of late nineteenth century, I found many ornamented capitals for headings among the typefaces.

Most of them showed a flourish like a tuscan serif - a characteristic trait of a peculiar capital lettering made with brush.

Dress is the result of the mash up between that influence and the Didone style - perfect for display.

To decorate, to adorn, to dress a design piece is the intention of this family, adapted to the twenty-first century.

The font should embellish book covers, publications, packagings, movie posters, greeting cards, stationery, among other uses.

Additionally, Dress matches very well with Limon Script. More Started up by the authors hand, Dress is a professional work, accurate, well spaced, with ligatures and alternates for uppercases, initials, endings and figures.

Each variable contains more than 1200 glyphs with plenty of OpenType features and extensive Western, Central and Eastern European language support.

The characters of the shades, inlines and outlines were not automatically made.

Instead, they were drawn one by one in order to take care of every detail, even the change of pressure of the hairlines.

The main member of this family is the Base font which can be used alone or decorated with the layers: Shade One or Shade Two, Inline One or Inline Two and Outline.

In this way, experienced designers will create their own combinations. On the other hand, there are multi-layered fonts that make Dress easier to use: Dress Combo One to Five.

Additionally, Dress Deco adorns the beginning and the ending of the words (1) while the Ornaments decorates the whole design.

The family package contains all this thirteen options. Lets Dress your work! (1) Take a look at the Instructions on the Gallery Section.

Stevia is a font family designed by Carlos Fabian Camargo Guerrero. Stevia is a sweet font family created to design logos, cards, posters, book covers, blogs, packaging, walls, etc.

Stevia is useful to differentiate your designs and stimulate your imagination through 5 fonts drawn with an apparent handmade lettering look.

Stevia dingbats has more than 250 special monolineal icons to accompany Stevia Script Black (600 glyphs), Stevia Script Light (470 glyphs), Stevia Subtitles Bold (300 glyphs) and Stevia Subtitles Light (300 glyphs) in quotes, legends and short writings.

Thats why you'll get a lot of alternative letters in uppercase, lowercase and opentype numbers as well as ligatures and flourishes ideal for beginning, middle and end of word.

In summary Stevia is great for communicating naturalness and freshness in designs that need to be outside conventional typographic norms.

Tara is a family of serif fonts designed for immersive reading. Its design considers a tall x-height, balanced with high contrast letter-forms and wedge-shaped serifs that propose an elegant character functional at reading sizes.

The axis of stress running through the letters is almost vertical; however, Tara is inspired by oldstyle typefaces, characterized by their use of diagonal axes.

The family includes four weights that range from Regular through Bold with matching italics.

Many of Taras lowercase letters retain calligraphic traces in their details, such as the terminal on the upright lowercase a and the ear of the g.

The italics contain a few dozen swash alternates, for use in headlines, titles as well as logo designs.

All of the fonts include small caps, 14 f-ligatures, and case-sensitive punctuation.

The default numeral style is set at proportional oldstyle figures with tabular and lining figures available as OpenType alternates.

A full-range of numerators and denominators for fraction-typesetting has been included for its compatibility with a widespread range of contents.

With letter-forms quite comfortable to read, Taras language support covers an extended Latin character-set and is an excellent choice for editorial projects across print media.

Tara was designed by Tania Alvarez Zaldivar, a type and graphic designer from Mexico, and a graduate of the Type & Media program at the Royal Academy of Arts (KABK) in The Hague.

Rion is a high-contrast modern, or Didone-style font family, with a calligraphic flourish. It is intended for typesetting headlines in editorial design settings, as well as signage, the larger texts in exhibition graphics, or any other place where you need big, elegant-looking type.

Rion takes inspiration both from straight-axis nineteenth century typefaces and pointed-pen calligraphy.

Its letterforms contain a high degree of stroke-contrast; this gives them a look of sophistication.

The family includes six weights, ranging in style from Light through Black. Each weight has both an upright font and an italic on offer. The fonts default numerals are proportionally-spaced oldstyle figures. Lining figures are also available, via an OpenType feature. Rions characters are all a bit condensed; this narrow feeling is especially present in the fonts uppercase letters.

The ascenders of the lowercase letters rise slightly above the tops of the capitals.

In the upright fonts, the a and the g are double-storied. In the italics, they are single-storied. Each font includes small caps, and 13 f-ligatures, too. Special characters in the fonts such as the hashtag and the @-symbol, as well several punctuation marks and mathematical glyphs are drawn with thin, monolinear hairline strokes, allowing them to disappear into the background somewhat, and let the real alphabetic characters shine more prominently.

Rion is the work of Barbara Bigosinska, a Polish type designer living in the Netherlands, who is a graduate of the MA Type & Media programme at the Royal Academy of Art (KABK) in The Hague.