Stella Tyas

Glatt the sequel of Platz Groteske is a typeface with the personality and the aesthetics of the neo-grotesque, however a slight touch of freshness and organic stand out this typeface; perfectly suited for any kind of work related to visual communication.

Glatts alternatives version includes diverse characters, Open Type functions, as well a, small caps, both lining and old style figures, and a fun shadowed version for headlines and display compositions.

Special acknowledgments to Ale Navarro, Raúl Meza, Rodrigo RodrigoTypo Araya, Valentina Pino and the whole W Foundry crew for the gestation of this project.

Query was born out of that lineage of experimentation and developing a voice within type. I wanted this typeface to have a strong personality but also give room for legibility.

The typeface was inspired from people like Karl Heinz, to Hamiltons Class L fonts, and even civil rights posters from 1968.

My original intent was to make a single font that transformed the spirit of woodtype, but done in my voice today.

A college compared it to a modern Trade Gothic, which I never envisioned, but feel it is an accurate observation.

More As I continued to refine the work, I made sure that the personality, tone and voice was still there but also refining it so that when used, it was legible but still unique to anything I have seen.

I included over 400 glyphs that support many languages and also included three levels of stylistic sets for extra use and style.

Query is as fun to use as it is to look at.

Suprema is 14 fonts modern sans serif family precisely designed for geometric perfection. It has 7 weights with matching true italics. When it comes to Opentype it has lots of features such as tabular lining, proportional oldstyle, tabular oldstyle, ligatures, superscript, subscript, fractions and language localisations for Polish, Dutch, Romanian, Moldovian and Catalan.

Suprema fits perfectly to any kind of modern graphic design project, it can be strikingly beautiful to look at as a logotype or pleasure to read in a long text.

It will definitely add a modern look and sense of professionalism to any piece of typography.

Point aims to be an epitome of the Geometric Style. Inspired by intemporal classics such as Futura, Avant Garde or Avenir, passing through more contemporary approaches of the same style; ignited by the overarching narrative of the Modernity (Perfect Geometric Shapes) and careful design decisions, Point is a font that references the past as well as projects itself to the contemporaneity.

With a total of 10 weights, with respective hand adjusted obliques, Point has a total of 20 styles with Extended Latin support as well as Cyrillic, all with the most needed Opentype features, such as fractions, tabular and oldstyle figures, alternates, case sensitive forms, etc.

More Point has a superb versatility and can be used in almost every circumstance, try it for yourself and see what point Point makes.

Rigrok is a 14 style semi serif designed by Stew Deane. The design of the typeface was intended to create a premium feel that is suitable for the widest range of tasks, while still maintaining a unique sense of character.

Stew designed Rigrok to draw on his graphic design experience to create a typeface that is suitable for many a design or branding job.

The result is an easy to use, versatile typeface that charms with personality and character.