Stella Tyas

The first glyphs of Nougat Script were born in 2010 to honor the birth of my first chubby and charming daughter, Siena.

The ongoing project with significant progress was presented at Tipos Latinos, the biennal of Latin America typography where Nougat Script was selected among 70 of the best fonts.

After a long pause, the project had a powerful restart at the begining of 2018.

In those days, it not only grew in number of signs but in complexity of behavior.

There are 4 different types of writing within the same font file accesible via opentype features: Script (base or normal), two glyphic alternatives with well differentiated swashes and finally a small cap version.

Nougat Script has a fresh and relaxed lettering attitude combined with the typographic harshness for elegant text compositions.

Lu Nolasco, also known as Lunol, is a fresh representative of a new generation of Souther American lettering artists.

She was born in Lima, Peru. After learning from some of the regions best teachers and exploring the pointed nib on her own, she became a prolific lettering workshop instructor herself.

More Miraflores is one of Limas main tourist attractions. An upscale district with a great window on the Pacific ocean, it is the place where Lu looks for inspiration.

It particularly inspired this Looking flowers (Miranda las flores), Lunols first typeface, designed in collaboration with Ale Paul.

It is a comprehensive informal script that comes with many alternates, swashes and ligatures, along with small cap and quite a few ornaments.

The fonts cover an expansive range of Latin languages, and are intended for use in stationery, menus, packaging, and general design where the main objective is to relay a sense of fun, playfulness and sensibility.

Speakeasy is a 5-font combo thematically built as a toolset for designing menus and liquor labels but also for coffees, restaurants and signs that communicate with style.

Originally put together to be used by the most famous speakeasy in Buenos Aires, this set contains a script, a minor (almost flat) wedge serif, a flare serif, a sans serif, and a bold Didone.

The seed for the script was found in a German lettering book, and the other fonts reflect the familiar advertising and announcement styles of the early 20th century.

The Speakeasy script is a connected one, but comes with two different ways to connect the letterforms.

It also comes with many alternates, swashes, endings and flourishes all accessible via OpenType features or glyph palettes.

More Speakeasy Modern and Speakeasy Flare are small cap fonts, and come with a few alternates.

Speakeasy Sans and Speakeasy Gothic come with full sets of majuscules and minuscules, but contain small caps and a few alternates as well.

A few rules and ornaments are also sprinkled throughout the set. This combination of fonts worked wonderfully for the project that called for it. Hopefully it will work just as well for your project.

A collaboration between SAEL (artist) and Ale Paul (type designer) for Sudtipos as part of the first project at the foundry between illustration and type design to create a collection of colorfonts.

More About the font: "Enterline assumes with authority the visual expression of color fonts.

In its use, the density of Enterline becomes liquid. In his narrative, it becomes a pattern of infinite variables and nuances. In its hybridity, it evolves as hyper-typography. Sael marks its graphical nature (patterned diagonals, colors and shapes) in each letter of Enterline, and achieves a massive editable color font for the mobile first generation.

Robotics and futuristic fandom, explicit japonism, cosmic phenomenology, tech toys, pixel art and the accelerated pulse of the present in communion with codes, scalable vectors and the scope of new technologies, to create a mechanic, multicolored and optimistic big bang.

In Enterline, reconsidered typographic thinking and digital vertigo." Lucas López Package: Enterline comes in a file with a pre-defined color palette. You can always change the colors converting the text to outlines. There is also a super unique Black & White version specially designed to work in any application.

Technical info to use: The package contains a normal OTF font in Black and White and a colorfont in SVG-TTF format.

To be able to use the color file you need to have installed Adobe Photoshop CC2017, Adobe Illustrator CC2018 or QuarkXPress 2018.

Not all the browsers support color fonts so please be sure to use them as graphics.