Stella Tyas

Clincher is a set of monospaced and duospaced fonts designed specifically for program coding and user interface design.

Distinctive font design and multiple alternates allow to use it in advertising, wayfinding and signage as well as in short texts when regularity and monospacing is important.

The font was designed by Alexander Lubovenko and released by Paratype in 2018.

Temper Wide was designed in 2018 by type designer Jeschke in Berlin. The font consists of many cuts from light to bold and is formally based on its predecessor, Sequel 100.

A characteristic feature of the Temper Wide is the almost equal thickness of the vertical and horizontal strokes, the horizontally cut endings of the letters a, c, e, g, s, as well as a striking R.

More Unlike other slab faces, the forms are absolutely clean and the x-height, in the normal thickness gradation a bit higher, in favor of legibility.

Temper Wide supports up to 74 languages. Graphics by Sagara Hirsch, Zurich.

The publication of this more mature design is the result of a previous 1-style project which was developed in 2010.

Rita, the new design, has increased from one single style to a full font family, with a strong personality, ideal for short text for high impact designs.

Rita is a slab serif typeface that offers a wide range of weights and widthsfrom a thin, ultra condensed font to a heavy variant for poster design.

Its variety of weights and widths allows users to create a number of different compositions such as titles and text for impact or high impact graphics.

More Rita comes in 10 styles and includes a set of 400 characters that support over 200 languages.

Rita was designed by Daniel Hernández with the collaboration of Rodrigo Fuenzalida.

Introducing Better Times, a handmade brush font! This bold, free-flowing and confident brush font is designed to be easily customisable with a full set of alternate characters and a bonus set of 20 swashes! Oh, and not to mention it looks great in both all-caps as well as lowercase - all of this together providing you with a huge range of layout options.

Better Times is a brush font which you can use and enjoy again and again, for anything from promotional material and handwritten quotes, to product packaging, merchandise and branding projects.

Originally designed in 1928, Plak is something of a lost gem in the type world. Despite being drawn by Futura creator Paul Renner, it never achieved the same popularity and spent decades lacking a much-needed digital revival.

Monotype designers Linda Hintz and Toshi Omagari have taken its existing three weights and, after extensive research into the original wood type, extended them into the vast Neue Plak family.

More The typeface is available in 60 weights that stay true to Renners intentions, and offer the same blend of quirky details and German stiffness as Hintz describes it.

The design is an unusual mixture, bringing together a defiant outer appearance thats counteracted by more playful details found in the lowercase r, and the large dots over the is.

Other distinctive details include open or strikethrough counters, and a set of hairline widths that reduce Renners original design to its bare bones.

Neue Plaks display weights are crying out to be used in editorial, on packaging or in logos, while its text weight works well in both print and digital environments.