Stella Tyas

Bordonaro Spur - Bordonaro Scripts partner - is a typography strongly influenced by old beer labels and includes some serifs based on Frederic W.

Goudys Copperplate, but with some softened spurs adding an elegant and soft texture to the text.

It is ideal to be used on large bodies and has a set of special ligatures ideal to be used in branding: Co = company1 Co = company2 Estd = established More Inc = incorporated Ltd = limited Mc = mac Rd = Road St = street And also from Adobe CC you can activate Style Sets (SS) and get ideal ligatures for ordinal numbers: 1st = st 2nd = nd 3rd = rd 4th = th Bordonaro Script and Bordonaro Spur are two typographic styles that were designed under the same characteristic features with the idea of combining them to obtain better results, for that reason, we recommend merging them in a creative way and you will realize everything you can design with them.

The banners designs are based on old brands of beer labels, coffee packaging, sports logos and in some cases we use Copperplate Gothic but only as a complementary font in order to harmonize the layout of the elements in each banner.

Bordonaro Script - Bordonaro Spurs partner - is an interpretation of the English Roundhand style with a strong influence by the logos of American basketball and baseball teams.

It is designed from simple shapes ideal to be used in long titles and fits perfectly into the branding design.

Bordonaro has a complete set of special and original characters: Stylistic Ligatures, Discretionary Ligatures, Swashes, Contextual Alternates, Titling, ss01,ss02, ss03 & apostrophes' ligatures that work as complements to enrich the text composition.

More Bordonaro Script and Bordonaro Spur are two typographic styles that were designed under the same characteristic features with the idea of combining them to obtain better results, for that reason, we recommend merging them in a creative way and you will realize everything you can design with them.

The banners designs are based on old brands of beer labels, coffee packaging, sports logos and in some cases we use Copperplate Gothic but only as a complementary font in order to harmonize the layout of the elements in each banner.

Katana is 21st-century script typeface that thrives with energy. Its stylised letterforms feature a strong slant: about 40°, or more than twice the amount of slant found in a typical italic font.

Katanas angularity expresses an aura that combines the small refined details of calligraphy with the vibrancy of large-format graffiti lettering.

Unusual for a script typeface, Katana has multiple weights available; there are five in the family, and they range from Light through Bold.

As one shuffles from each weight to the next, the level of stroke contrast increases.

While Katanas Light weight is monolinear, the Bold weight has extremely hight contrast between its thick and thin strokes, which dials up the fonts dynamic-feeling even more.

The heavier weights clearly look like their letterforms have been written with broad pens or brushes, and the heaviest font looks like a techno-style design crossed with the work of a traditional sign-painter.

Each member of the Katana family has lining figures as its fonts default numeral style, but there are also oldstyle figures available through an OpenType feature.

Plus, each font includes about 26 alternate glyphs, substituted into the text whenever the contextual alternates feature is active.

Katana is a great addition to an editorial designers toolkit. It comes from Parimal Parmar, a designer in Ahmedabad/India.

Dirk is a strong, heavy slab serif meant for large, attention grabbing display use. Dirks design lives somewhere between a Clarendon wood type style and a more modern geometric slab serif.

It features the bracketed serifs, large x-height, and short ascenders/descenders of a Clarendon design, but drawn with the precision curves and smooth, sturdy structure of a geometric slab.

The result retains the charm of wood type, but sheds a lot of the over-familiarity and sameness of a digital revival.

Dirk is available in both a clean, Black weight as well as a Stencil version.

Each styles feature a full Western, Central, and South Eastern European character set.

Glatt the sequel of Platz Groteske is a typeface with the personality and the aesthetics of the neo-grotesque, however a slight touch of freshness and organic stand out this typeface; perfectly suited for any kind of work related to visual communication.

Glatts alternatives version includes diverse characters, Open Type functions, as well a, small caps, both lining and old style figures, and a fun shadowed version for headlines and display compositions.

Special acknowledgments to Ale Navarro, Raúl Meza, Rodrigo RodrigoTypo Araya, Valentina Pino and the whole W Foundry crew for the gestation of this project.