Stella Tyas

Hey guys, I'm really excited to introduce The Wayfaring Font Duo! A hand-painted set of fonts designed to add a rustic and whimsical charm to your design projects.

Its rough around the edges and not without imperfections - but aren't we all? With distinctive bold & playful brush strokes, The Wayfaring Font Duo is ideal for your logo designs, product packaging, wedding designs, book covers, social media posts, merchandise & more.

More The awesome thing about this typeface duo is that its so easy to mix up the various font styles and create totally unique, hand-made looking words each time.

Not only are there 2 sets of upper & lowercase characters, there is also a unique 'all-caps' version - which not only looks great as a supporting font, but can also be combined with the regular Wayfaring font to give you even more layout options.

I'm serious! Just throw a small-caps character in the middle of a word, its really fun to play around with.

Shirataki is a soft pen script with clear round letter shapes and large display capitals. Shirataki has really low contrast -its almost monolinear. Shirataki is a clear and friendly display script ideal for logo, signature, packaging, poster or headline purposes.

Shirataki uses Contextual Alternates to keep the connections smooth and it has Swash alternates for every standard letter.

Theres even more alternates in glyph palette. Theres also a set of swash endings coded in Titling Alternates and set in lowercase letters.

In addition theres a selection of strokes set in uppercase A-H. More Shirataki is PUA encoded so you can access extras in most graphic design softwares even without OpenType support.

In case you were wondering Shirataki are Japanese yam noodles. Enjoy!

Query was born out of that lineage of experimentation and developing a voice within type. I wanted this typeface to have a strong personality but also give room for legibility.

The typeface was inspired from people like Karl Heinz, to Hamiltons Class L fonts, and even civil rights posters from 1968.

My original intent was to make a single font that transformed the spirit of woodtype, but done in my voice today.

A college compared it to a modern Trade Gothic, which I never envisioned, but feel it is an accurate observation.

More As I continued to refine the work, I made sure that the personality, tone and voice was still there but also refining it so that when used, it was legible but still unique to anything I have seen.

I included over 400 glyphs that support many languages and also included three levels of stylistic sets for extra use and style.

Query is as fun to use as it is to look at.

Fineday is a clean and lining brush script. It is available with two different styles of uppercases: Style One and Style Two. Style One is swashy and decorative. Style Two is more plain and straightforward. Fineday is also available with connecting and non-connecting lowercases. All the Fineday versions has fancy alternate characters like ending swashes, tales and swashy ascenders.

It has extended character set supporting most Central European and Eastern European languages.

Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude.

The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use.

Lighter weights provide great legibility at small sizes while the regular and bold weights are more suited to titling, logo and headlines.

More It was designed in 2006 by Francesco Canovaro in two weights (regular and extralight) and later used by Cosimo Lorenzo Pancini as base inspiration for the design of the successful Zetafonts' Cocogoose Pro typeface.

In 2018 the family was completely redesigned by Andrea Tartarelli, expanding the original glyph set to include cyrillic and greek and adding three extra weights and italics.

The restored and revamped version, named Sugo Pro Classic, also includes full Open Type features for positional figures, Alternates and Small Caps, and restores alternate glyph shapes created by Canovaro for the original Sugo, accessible as Stylistic Alternates.

A companion typeface, Sugo Pro Display, uses these alternates as base glyphs and provides a tighter kerning, ideal for display use and logo design.