Introducing a new layered typeface called Dreadful. Inspired from classic horror movie and vintage comic. Dreadful typeface best uses for headings, Logo type, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc.
Download Dreadful Fonts by Aiyari
Download La Bodeguita Fonts by Resistenza
June 22, 2018
art
,
beautiful
,
bodega
,
body care
,
branding
,
caligrafia
,
calligraphic
,
calligraphique
,
calligraphy
,
candle
,
resistenza
La Bodeguita is a new calligraphic font carefully designed with walnut ink and a Spencerian feather on an oblique penholder.
Bodega means wine cellar, Bodeguita small "wine cellar"_ This font contains 2 styles, La Bodeguita Regular & La bodeguita Slanted + one Swashes and ornament.
More than 400 glyphs We recommend to use La Bodeguita for Labels design, notes, cards, wedding cards etc.
Bodega means wine cellar, Bodeguita small "wine cellar"_ This font contains 2 styles, La Bodeguita Regular & La bodeguita Slanted + one Swashes and ornament.
More than 400 glyphs We recommend to use La Bodeguita for Labels design, notes, cards, wedding cards etc.
Download Karlie Fonts by DearType
June 22, 2018
advertising
,
alternates
,
blog
,
branding
,
caligraphy
,
calligraphic
,
collection
,
cursive
,
deartype
,
display
,
editorial
Karlie is a neat combination of a friendly script and a modern all-caps serif in five widths.
The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages.
The combination of two different font styles (script and serif) also performs very well on product packaging.
As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter.
We've also included some extras with ready-made words and symbols for more design freedom.
More The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the familys charm.
The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.
The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages.
The combination of two different font styles (script and serif) also performs very well on product packaging.
As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter.
We've also included some extras with ready-made words and symbols for more design freedom.
More The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the familys charm.
The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.
Download High™ Fonts by Alias
High is defined by a set of simple ideas, or constraints. A non-geometric, humanist shape. A monoline weight. Stencilled, with a horizontal or vertical cut only, the stencil gap consistent so positioned where that is possible.
Highs letter shapes, which because of the stencilling are free of awkward connections at curve-to-vertical, have a fluidity and simplicity.
By separating the letter elements, the stencilling makes the letters interesting, graphic shapes, making decorative words.
More High has two options High Bar, which is a linear serif, and High Ball which has a circle-serif, like a ball terminal.
The circle of HighBall suggests Didone typefaces, High Bar more utility, modern, slab serifs.
With High Bar, the vertical serifs are consistently sized and unusually long.
The shape repeats the c has same-size serifs top and bottom, letters such as the f, j, r and y have slab serifs, the serifs and tittles of i and j the same size.
These dash-serifs make a linear pattern, and has the feeling of a kind of a code.
The ball terminal of High Ball gives a decorative effect a series of floating, bouncing balls across words and text.
The ball device is added top and bottom of the c, the g, j and y to ensure balance and rhythm across words and text.
As with High Bar, the repeating pattern give a codified look.
Highs letter shapes, which because of the stencilling are free of awkward connections at curve-to-vertical, have a fluidity and simplicity.
By separating the letter elements, the stencilling makes the letters interesting, graphic shapes, making decorative words.
More High has two options High Bar, which is a linear serif, and High Ball which has a circle-serif, like a ball terminal.
The circle of HighBall suggests Didone typefaces, High Bar more utility, modern, slab serifs.
With High Bar, the vertical serifs are consistently sized and unusually long.
The shape repeats the c has same-size serifs top and bottom, letters such as the f, j, r and y have slab serifs, the serifs and tittles of i and j the same size.
These dash-serifs make a linear pattern, and has the feeling of a kind of a code.
The ball terminal of High Ball gives a decorative effect a series of floating, bouncing balls across words and text.
The ball device is added top and bottom of the c, the g, j and y to ensure balance and rhythm across words and text.
As with High Bar, the repeating pattern give a codified look.
Download Giulia Fonts by HVD Fonts
June 19, 2018
advertising
,
baby
,
branding
,
brush
,
cafe
,
child
,
chunky
,
clean
,
commercial
,
contemporary
,
hvd fonts
Giulia is a sweet type family consisting of 12 Fonts. It was created by Hannes von Döhren and published by HvD Fonts. Besides a fancy curly version there is a second version with a more straight architecture, still owning the same soft and friendly character.
Informal and easy going at first sight and perfect for display settings, however the straight architecture of Giulia Plain also makes it nice for shorter to medium texts.
This contemporary type family is ideal for use in retail, packaging, games, food, kids applications and advertising.
Informal and easy going at first sight and perfect for display settings, however the straight architecture of Giulia Plain also makes it nice for shorter to medium texts.
This contemporary type family is ideal for use in retail, packaging, games, food, kids applications and advertising.
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