Stella Tyas

First designed in the early 1800s, Walbaum never achieved the audience or acclaim it deserved despite its easy elegance, and sophisticated persona.

Its been fully restored for this expansive family, which includes 32 weights including ornaments and two decorative cuts.

More Walbaum offers the kind of warmth thats missing from comparable typefaces such as Bodoni or Didot, feeling effortlessly approachable and legible.

Monotype team Carl Crossgrove, Charles Nix and Juan Villanueva have adhered to designer Justus Erich Walbaums original intentions, also incorporating work by the designers son into some of its more extreme display weights pushing the possibilities of Walbaum without compromising on its spirit.

Text weights work well for the demands of digital environments, while decorative and display weights offer more dramatic, sculptural forms.

Unusually, the family also includes a generous range of ornaments. From massive billboards, to micro-type on e-readers, Walbaum has it covered. The family is available as OpenType OTF font format, and includes over 600 glyphs with OpenType typographic features including small capitals, old style and lining figures, proportional and tabular figures, fractions and ligatures.

A user guide is available in PDF format from the gallery view. It gives an overview of the optical sizing available and provides a keyboard guide for the ornaments.

Stay Classy! ...with the suave new Stay Classy Font Duo consisting of a sophisticated signature-style script, and an elegant, classy, all-caps serif font.

With impeccably refined curves and silky smooth edges, the Stay Classy Font Duo is perfect for adding a classy, modern touch to your projects.

Perfect for branding, weddings, social media, product design, stationery and advertising - Stay Classy is versatile enough to add that elegant element to just about any project where a special touch of class is required.

More THE SCRIPT : To make the script appear as natural as possible in your designs , I have included 2 sets of opentype stylistic lowercase alternates - one of which includes the elegant end letters.

Words look more naturally finished off if end letters are formed with a subtle up-curve.

Last but certainly not least, a large selection of 30 carefully styled character ligatures ( letter combinations ) have also been built in ( see previews above ) .

For those after a more rustic, original look. THE SERIF : The Serif includes carefully constructed built-in opentype kerning pairs to ensure impeccable letter spacing throughout the font.

Typically, in any all-caps serif font, there are certain letter pairs (such as OV AW AT AY AV WO and many more ) that often look incorrectly spaced when coupled together, due to their natural dimensions.

Built-in opentype kerning pairs eliminate this issue - meaning perfectly balanced letter spacing no matter what you type.

Blacker is a wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli as a take on the contemporary evil serif genre: typefaces with high contrast, 1970s-evoking proportions and sharp wedge serifs.

Design details have been fine-tuned in two subfamilies: the display variant offers tighter kerning, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering with lower contrast.

Each subfamily comes in six weights from light to heavy, with matching true italics, for a full range of editorial and advertising uses.

More Blacker features an extended character set that covers over seventy languages using the latin alphabet, as well as Russian Cyrillic.

Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

Arlon makes it easy to give any brand or advertising a cool & futuristic look. Thanks to its spurless letterforms and some uncommonly shaped letters, this typeface creates a strong visual impact even in small sizes.

Having generously rounded angles and terminals, Arlon also spreads warmth and friendliness.

To sum up, Arlon communicates an affinity for technology in a friendly way.

The family contains a really wide span from thin to black and has many Opentype features as well as many numerical variations to offer, making it a versatile font.

More From Afrikaans via romanized Chinese through to Zulu: Arlon comes with 631 glyphs per font, covering more than 200 languages.

Designed by Marc Lohner in 2018.

Perm your hair, squeeze into your lycra, and retro-fy your text with Bayshore! A totally tubular mono-line script font straight out of the 80s.

This hand-drawn font is perfect for creating slick & stylish lettering. Whether its for logos, product packaging or merchandise, Bayshore is guaranteed to give your text an unmistakeable retro quality.

Bayshore comes as a single font file with added features allowing you to customise your text; More End Swashes Each lower-case character has a separate end-swash version, use this for the last letter in a word to give it a custom-feel styling.

These end-swashes are accessible via any software with Opentype capabilities, simply by turning on Stylistic Alternates.

Underline Swashes Four swashes of varying lengths are also available, simply by typing any of the square brackets [ ] { }.

These can be used to underline your text and give it a real eye-catching quality.