Stella Tyas

Born from the intersection of the geometric and grotesque typefaces. Aribau Grotesk combines low contrast and generous width proportions with typical traits of american gothics from the early 20th century, like the counters aperture and a double story g.

Driven by the process, some details that come from the geometric style arose, like the clean-shaped figures and the circular dots that convey a more affable and contemporary look.

Useful links: TT Phobos PDF Type Specimen TT Phobos graphic presentation at Behance TT Phobos is a pliable display serif with a soft and gentle character.

The features of the typeface are the moderate contrast between bold and thin strokes, pliable visual compensators, and the counter-clockwise bend of internal ovals.

In addition to 6 weights and 6 italic, TT Phobos also includes two original decorative fonts, inline and stencil.

More Despite its pliability and display character, TT Phobos is dynamic enough and is well suited for text arrays even in large text blocks.

The serifs of letters are completely asymmetrical and bring in dynamics when reading the text from left to right.

Thanks to the harmonious contrast of black and white forms and internal negative spaces of the letters, as well as its broad letter spacing, the typeface is well read in small sizes.

In this case, the character of the letters is completely preserved, partially thanks to the exaggerated elegant visual compensators.

The ornamental pattern used in TT Phobos Inline varies for capital and lowercase letters.

Capital letters implement a more complex double inline with a rhombic element in the middle, and in the lower case features a simplified form of the inline, made in a single movement.

Thanks to the original cutting, TT Phobos Stencil stands out for its expression, and the rounded cuts add even more visual style to the font.

TT Phobos consists of 14 faces: 6 weights (Light, Regular, DemiBold, Bold, ExtraBold, Black), 6 Italics, inline and stencil.

There are 17 ligatures in TT Phobos, including several Cyrillic ones. The typeface has stylistic alternates, which adds an italic effect to the upright fonts, and a little solemnity of the upright version to the italics.

In addition, we have not forgotten about the old-style figures and other useful OpenType features, such as ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac, case.

Pietro Aretino (1492 1556) Was an Italian author, playwright, poet, satirist and blackmailer, who wielded influence on contemporary art and politics.

The most vigorous and versatile vernacular writer of the 16th century He was a very versatile writer, famous for his Lascivious Sonnets which caused great scandal at the time but also for his satirical verses, addressed to all the powerful people in Italy, without forgetting the many plays that he wrote for the theatre.

Part of the charm of his letters is that through them you may know the whole of Venetian society from the top to the bottom.

The little-known church of San Luca in Venice (in St Marks district) has been a place of pilgrimage for centuries for people who are decidedly not devout: journalists, writers, free thinkers.

In 1556 Pietro Aretino, a unique character of the Italian and Venetian Renaissance period was buried there.

Such strong of personality, has contributed to generate the powerful wind of change that emerged from the italian renaissance.

We have inspired on that talent searching for a new sight the famous Venetian typefaces.

Probably looking for more vigour and contemporary digital style. This typeface is slightly condensed, lighter and has more contrast between the thick and thin letter-strokes, it has concave bracketed serif.

Their ascender and descenders strokes are very shorts. Aretino family is completed by four weigh: Regular, SemiBold, Bold and ExtraBold, while Italics has three weighs.

These fonts came with a full OpenType features and CE languages.

Get ultra chic with the new Signature Collection handwritten font - A stylish and super-casual font created to look as close to natural handwriting as possible by including over 100 carefully designed, natural looking opentype ligatures, and a full set of lowercase alternates.

Loaded with built in Opentype features, its recommended that you use it with your opentype ligatures option turned on in your character settings, then watch as, like magic, this script comes to life as if you are writing it yourself.

Morandi is the first commercial sans serif font created by Jovica Veljovi a much-awarded designer whos been creating typefaces for over thirty years.

The product of years of crafting letterforms, Morandi is supremely graceful. Each detail has been carefully refined for legibility, with open counters and generous apertures, and the bottom of round strokes slightly flattened.

Not just elegant in appearance, Morandi is an efficient design, versatile enough to work in print and digital environments, including on-screen applications.

The family offers three weight ranges and includes a large multi-national character set making it a practical choice, as well as an aesthetic one.